The artwork “Two Views of a Standing Indian from Calcutta” is a creation from the hand of Eugene Delacroix, a notable figure in art history, who executed this work between the years of 1823 and 1824. Utilizing oil on canvas as his medium, Delacroix contributes to the Orientalism art movement with this portrait, employing his talents to convey the depth and complexity of his subject matter.
The artwork presents two side-by-side figures, presumably of the same individual, captured from different angles. On the left, the figure faces the viewer, while the figure on the right presents a profile view. Both figures sport traditional Indian attire indicative of Calcutta during that period, featuring rich textiles and vibrant colors. The clothing is characterized by wide, skirt-like bottoms paired with draped fabric over the torso, embellished with intricate detailing and ornaments. A notable aspect of the traditional attire illustrated in the artwork is the headwear; both figures don red hats with broad, rounded edges, adding a striking contrast to the darker hues of the clothing.
The figure’s skin tone is rendered in warm, earthy tones, hinting at the naturalistic style Delacroix was known for, despite the exoticism that Orientalism may sometimes connote. The artist’s brushwork is evident, with visible strokes that add texture to the clothing and skin, indicating the artisanal nature of the medium and the artist’s hand. Two red swatches float in the background, their significance uncertain but adding an abstract element to the composition which emphasizes the subject.
The individual depicted stands with poise and a quiet dignity, exuding a sense of calm and self-assuredness. Delacroix’s portrayal is not merely a representation of exotic costume; it appears to delve into the persona of the subject, inviting viewers to reflect on the identity and humanity of the individual, beyond the exotic allure of his attire. Through this dual portrait, Delacroix provides a window into the cultural attire of a distant land, filtered through the lens of his European perspective during a time when the fascination with the ‘Orient’ captivated many artists of the era.
