The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (1920; Cologne / Cöln / Köln, Germany) by Max Ernst

The artwork “The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses,” created by Max Ernst in 1920, is a gouache painting on paper. It belongs to the Dada art movement and is classified as a symbolic painting. This artwork, measuring 74.3 x 99.7 cm, is currently housed in the Museum of Modern Art (MoMA) in New York City, NY, United States. The piece originates from Cologne (Köln), Germany.

The artwork is a vivid representation of the Dada movement’s exploration of absurdity and non-conformity. It features a combination of abstract and surreal forms, with various biomorphic shapes interspersed throughout the composition. The centerpiece includes a structure resembling a bicycle, adorned with elaborate and intricate details. Surrounding this central figure are a series of whimsical and dreamlike shapes that twist and contort in various directions, creating a dynamic and engaging visual experience. The background is predominantly dark, accentuating the vibrant and contrasting colors of the forms. Max Ernst’s use of gouache allows for rich textures and a layered appearance, contributing depth to the fantastical scene depicted. The artwork invites viewers to engage in an imaginative journey, interpreting the symbolic and enigmatic elements within the painting.

Scroll to Top