“Study of Red Pope” is an artwork by Francis Bacon, created in 1962, and is part of the Expressionism art movement. This piece falls within the genre of sketch and study, showcasing Bacon’s interpretive and bold expressionist style.
The artwork depicts a distorted figure dressed in red papal attire seated within a minimalistic and abstract environment. The figure is positioned centrally, with a red backdrop that complements and intensifies the emotional impact of the scene. The papal figure’s face is contorted, merging in a blend of muted and vibrant colors that emphasize a sense of inner turmoil and existential angst.
To the right, another figure, clad in darker clothing, appears to be peering into this surreal space from an adjacent panel, creating a dichotomy of observation and self-reflection. The stark contrast between the abstract, almost chaotic manner in which the figures are rendered and the simplified background heightens the psychological tension Francis Bacon is known for. The fluidity of the brushwork and the almost spectral presence of the figures are hallmarks of Bacon’s explorations in human form and emotion.