The artwork in question is a set of costume sketches designed by Nicholas Roerich in 1919 for the opera “Tale of Tsar Saltan.” Created during the period characterized by the Art Nouveau (Modern) movement, these designs belong to the genre of theatrical design, underscoring the artistry that extends beyond the canvas into the realm of stage and performance. Roerich’s contribution is not only a testament to his skills as a painter but also to his ability to fashion imaginative attire for characters in dramatic works.
The artwork exhibits a figure clad in a costume designed with an inclination toward traditional Russian attire, interpreted through the Art Nouveau style. The costume features a generous, earthy brown robe with loose-fitting sleeves, hinting at the practical needs of a performer requiring ease of movement. An olive-green and gold sash or apron adds a touch of regality and depth, providing a contrast that accentuates the richness of the primary garment. The character’s footwear, rendered in soft pinks, dramatically curves upward, which may suggest a hobble or cultural style indicative of fantasy or historical reimagining.
The use of color and form in the artwork conveys a sense of simplicity yet effectiveness, ensuring that the character would be recognizable and visually impactful on stage. Roerich’s mastery of color and texture is evident, as he is able to create a sense of dimension and materiality within the sketches. Additionally, the facial expression of the figure is tender and subdued, with prominent rosy cheeks—a detail that would carry well into the theatrical setting, allowing emotion to be visible even from afar.
It is important to note that these sketches are not only artistic representations but also practical tools that would have been used to communicate to costume makers the vision for the stage production. As such, they serve a dual purpose, straddling the worlds of both art and practical application in theatre.
