The artwork entitled “Shoe and Hand” by Marisol Escobar, created in 1964, is an evocative piece synonymous with the Neo-Dada art movement. This movement sought to blur the lines between art and life, often incorporating humor and found objects into the creation process. The genre of this particular piece is figurative, which represents forms that are recognizably derived from life.
In “Shoe and Hand,” one discerns a fusion of human anatomy and a fashion element. The work juxtaposes a high-heeled shoe with a hand that appears to be emerging from within the shoe, where one would expect the foot to be. This unconventional blend of body parts with the high heel generates a sense of fascination and perhaps a commentary on the relationship between fashion, femininity, and personhood. The monochromatic nature of the work, which relies on stark contrasts, adds a dramatic effect, and the precise line work demonstrates Escobar’s keen attention to form and detail.
