“Repetition Nineteen I,” created by Eva Hesse in 1967, epitomizes the Post-Minimalism movement through its thought-provoking installation style. The artwork consists of nineteen cylindrical forms, each uniquely shaped and arranged in an irregular pattern.
The artwork portrays a subtle yet compelling interplay between uniformity and individuality. Each cylinder, rendered in a stark white color, presents distinct variations in height and circumference, thus reflecting the artist’s hand in its creation. Their irregular placement on the flat surface challenges traditional notions of symmetry and order, inviting viewers to contemplate concepts of repetition, variation, and imperfection. The tactile, organic feel of the materials used underscores the Post-Minimalist appreciation for texture and form, highlighting Hesse’s innovative approach within the genre.
