The artwork, titled “Planos em Superficie Modulada,” was created by Lygia Clark in 1952. It belongs to the Concretism art movement and is categorized as abstract art.
The artwork features a geometric composition that exemplifies Clark’s engagement with Concretist principles. It consists of a series of modulated planes rendered in shades of purple and gray. These planes intersect and overlap within a square format, creating an illusion of depth and spatial ambiguity. The meticulous arrangement and sharp lines embody the precision and systematic approach characteristic of Concretism.
