Paul Gauguin was a French post-impressionist artist whose work continues to captivate and intrigue art enthusiasts around the world. His life and career were marked by a series of unconventional choices and bold artistic experiments that challenged the norms of his time. From his early days as a stockbroker to his later years as a struggling artist in Tahiti, Gauguin’s journey was marked by a restless spirit and a relentless pursuit of artistic expression.
In this article, we will explore the life and work of Paul Gauguin, delving into his artistic style and techniques, the influences and inspirations that shaped his work, and his travels to Tahiti and the South Pacific. We will also examine his controversial legacy and impact on modern art, as well as his enduring presence in popular culture through books, films, and exhibitions. Whether you’re a seasoned art enthusiast or just starting to explore the world of art, this article is sure to offer you a fascinating glimpse into the life and work of one of the most iconic artists of the modern era.
Early Life And Career Of Paul Gauguin
Paul Gauguin, born on June 7 in Paris, France in 1848, was the son of a journalist who moved his family to Lima, Peru when Paul was still a child. It was here that he first became interested in art and began to develop his skills. Later in life, he worked as both a stockbroker and art dealer while painting during his free time. This dual exposure eventually led him to pursue a career full-time as an artist after the stock market crash of 1882.
Despite having no formal training, Gauguin quickly made a name for himself in artistic circles. He befriended Camille Pissarro who became his unofficial mentor and patron. Through Pissarro’s guidance and influence along with other notable artists like Vincent Van Gogh and Émile Bernard, Gauguin cultivated techniques that allowed him to achieve unique spiritual expressions through his work.
Gauguin is perhaps best known for his time spent in Tahiti where he sought inspiration from local culture to inform and refine his artistic style. Here he experimented with bold colors and distinctive compositions meant to reflect the primitivism found within Tahitian society at the time. Despite criticism from many of his contemporaries regarding cultural appropriation, these works remain some of the defining pieces of Gauguin’s repertoire.
In conclusion, Paul Gauguin’s early life experiences undoubtedly shaped him into the artist we recognize today. From humble beginnings as an aspiring creative mind in Lima to eventual world-renowned fame due largely to experimentation with different styles throughout Polynesia during his later years abroad; it is clear that there is much more than meets the eye when it comes to this fascinating figure of modern art history.
Gauguin’s Artistic Style And Techniques
Paul Gauguin was a French Post-Impressionist artist who developed a distinctive painting style characterized by his thick, bold, expressionistic brushstrokes. To achieve an extra smoothness and flow in his paintings, Gauguin often added wax to his paints. His use of expressive colors, flat planes, and simplified, distorted forms exerted a profound influence on avant-garde artists in the early 20th century.
Gauguin’s departure from Impressionist technique is evident in his works on Martinique where he worked with blocks of color in large, unmodulated planes. He also ventured into Primitivism with the style he named “savage” where he searched for paradise to create pure, “primitive” art. In addition to this radical artistic pursuit which characterized him as an innovator of Symbolism through Synthesism emphasized by his highly subjective approach using metaphors and symbolism drawn from different cultures.
As an artist who collected works by impressionist friends and Modernist colleagues alike while inspiring them as well through Nativity prints analyzed using computational imaging technology; Gauguin styled himself based on deconstructed classicism paving way for return-to-pastoral tendencies identified as nostalgic fluxes expressed through inherent meanings of subjects portrayed.
Gauguin’s Influences And Inspirations
Paul Gauguin was a pioneer of Symbolism in art, drawing inspiration from working across multiple mediums such as ceramics, woodcarving and lithography. He was primarily schooled in Impressionism but broke away to develop his own unique style influenced by Vincent van Gogh, Emile Bernard, Edgar Degas, Paul Cezanne and others. His bold and colorful paintings significantly influenced Modern art movements such as Fauvism, Cubism, and Orphism.
Gauguin’s expression of the inherent meaning of subjects in his paintings under the influence of the cloisonnist style paved the way for Primitivism and the return to pastoral themes heavily characterized throughout modern art movements. Western pop culture, classical techniques along with color manipulation were important parts of Gauguin’s creative process which greatly informed his artistic vision.
Moreover, his travels greatly influenced him where he spent significant time on works by Manet, Monet, Sisley Pissarro Renoir and Guilumin developing close relationships along with other artists including Charles Laval. He arrived in Tahiti seeking a mythical paradise and ‘pure’ culture; however French colonial influence made him disappointed with reality there leading him to continue exploring different longings through creativity until his death at 54 years old while living on Hiva Oa island in French Polynesia.
Gauguin’s Relationship With Vincent Van Gogh
Paul Gauguin was friend with Vincent van Gogh and the two artists lived together in Arles for a brief period in 1888. They met in Paris in 1887 and admired each other’s work, with Gauguin being greatly influenced by van Gogh’s work. However, their relationship had a competitive undercurrent which eventually soured.
On the night of December 23, 1888, they had an argument which led to Gauguin leaving their house. Van Gogh’s famous self-portrait dedicated to Gauguin was painted during this turbulent time. Despite this falling out, the two remained connected through their art.
Gauguin sought to express spiritual and emotional states in his paintings through what he referred to as a “primitive” expression. This approach can be seen in his works such as “The Yellow Christ” and “Tahitian Women on the Beach.” While their friendship may have been tumultuous at times, it is clear that both Van Gogh and Gauguin had a lasting impact on each other’s artistic styles.
Gauguin’s Travels To Tahiti And The South Pacific
Renowned French painter, Paul Gauguin sought to capture spiritual and emotional states in his artworks. It was in June 1891 that he arrived in Papeete, Tahiti, with a vision of it being a pristine and untouched island. However, Gauguin was disheartened by the extent of French colonization on the island. As a result, he attempted to explore and incorporate genuine aspects of the culture into his work.
Today, Paul Gauguin Cruises offers luxury cruises to Tahiti, French Polynesia, Fiji, and the South Pacific. The cruise operator’s 2022 schedule showcases itineraries that offer tourists an opportunity to explore the most exotic destinations in these regions. These voyages typically last from 7 to 14 nights with departures from Papeete being the most common starting point.
Onboard m/s Paul Gauguin ship – which is named after the famous painter – visitors can delight in all-inclusive luxury experiences while discovering breathtaking destinations like never before. The ship primarily docks at Papeete but also at various other ports throughout French Polynesia and its neighboring countries.
Gauguin’s travels to Tahiti have influenced art history globally through his contributions in helping bring about primitivism as its own genre within modernist painting movement. With these South Pacific sailings available today for anyone’s enjoyment – it is no wonder that this region remains one of the most prolific sites for creative inspiration worldwide!
Gauguin’s Legacy And Impact On Modern Art
Paul Gauguin, a French painter, rejected materialism in contemporary culture and was drawn to a more spiritual lifestyle. He is known for his use of expressive colors, flat planes, and simplified forms that had a significant impact on avant-garde artists in the early 20th century. Several factors influenced Gauguin’s style built on color over imitation art. His move to work with Van Gogh in 1888 marked a development in his artistic expression through color.
Gauguin’s use of bright and bold colors for paintings inspired by Martinique and Tahiti faced controversy. Despite this criticism, he continued to seek primitive expressions of spiritual and emotional states through his work. His attraction to the tropical island resulted in his celebrated approach to using vibrant hues that became synonymous with many paintings we view today as classics.
Gauguin’s artistic style was influenced by Vincent van Gogh, Emile Bernard, Edgar Degas, Paul Cézanne towards creating symbolic explorations of human conditions through color-treated representations that elude reality. As such, Gauguin has significantly influenced modern art by marking an era where expressionistic works utilizing pure pigments broke away from realistic content painting prevalent during his time. His legacy is still significant today with many artists continuing to follow his tenets for meaningful symbolism over imitative artwork as well as experimenting with inventive ways of using bold colors alongside conveying meaning symbolically within their work.
Gauguin In Popular Culture: Books, Films, And Exhibitions
Paul Gauguin, a complicated figure in art history who sought exotic paradise in bohemian arts community and the South Seas island of Tahiti, has left an enduring mark on popular culture. Several important masterpieces of painting and sculpture from various museums represent Gauguin’s oeuvre. In 2019, the first-ever exhibition was held devoted to his portraits showcasing his unique style and use of color.
This boundary-pushing artist has inspired various biographies, operas, and fictionalized accounts of his life, along with movies such as Lust for Life. His dramatic life story is a source of fascination for many, including scholars and casual art enthusiasts alike.
In terms of exhibitions, Tate Modern held the UK’s first major Paul Gauguin exhibition in 2010. The exhibition saw high attendance figures and brought renewed attention to the artist’s work, shedding new light on the sensationalist painter who painted scenes of a timeless world of quiet languor during his time seeking exotic paradise in far-off locales like Tahiti.
Overall, Paul Gauguin remains one of the most intriguing figures in art history whose artistic legacy continues to inspire generations to come through unparalleled works that break boundaries regarding color theory and composition choices while simultaneously raising discussions about cultural appreciation versus exploitation.
All Paul Gauguin Artwork on Artchive
Artwork Name | Year | Medium |
---|---|---|
Near Rouen | 1884; France | oil,canvas |
Blue Barge | 1882; France | oil,canvas |
Blue roofs of Rouen | 1884; France | oil,canvas |
Bonjour, Monsieur Gauguin | 1889; France | oil,canvas |
Bordeaux Harbour | 1886; France | oil,canvas |
Bouquet | 1884; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,canvas |
Bouquet of flowers | 1894 - 1897 | watercolor,paper |
Bouquet of flowers | 1882; Paris, France | oil,canvas |
Bouquet of Flowers with a Window Open to the Sea (Reverse of Hay-Making in Brittany) | 1888; France | oil,canvas |
Bouquet of Peonies on a Musical Score | 1876; Paris, France | oil,canvas |
Boy by the Water | 1885; Paris, France | oil,canvas |
Hillside | 1884; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,canvas |
Hina, Moon Goddess and Te Fatu, Earth Spirit | 1893; French Polynesia | oil,canvas |
Horse and Cow in a Meadow | 1885; Paris, France | oil,canvas |
Houses at Vaugirard | 1880; France | oil,canvas |
Houses in le Pouldu | 1890; France | oil,canvas |
Human misery | 1889; France | watercolor,paper |
Huts under Trees | 1887; Paris, France | oil,canvas |
Hut under the coconut palms | 1894 | watercolor,paper |
Ia orana Maria (Hail Mary) | 1894 - 1895 | zinc,print |
Idol | 1898; Punaauia, French Polynesia | oil,canvas |
Port de Javel | 1876; France | oil,canvas |
Portrait of a child (Aline Gauguin) | c.1877; Paris, France | oil,panel |
Portrait of Achille Granchi Taylor | 1885; Paris, France | oil,canvas |
Portrait of Aline | 1884; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,panel |
Portrait of a little boy | 1888; France | oil,canvas |
Portrait of a man wearing a lavalliere | 1888; France | oil,canvas |
Portrait of a mother | 1894; Paris, France | oil,canvas |
Portrait of a seated man | 1884; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,canvas |
Portrait of Atiti | c.1891; French Polynesia | oil,canvas |
Tahitian Landscape | 1891 | |
Tahitian landscape | 1897; Punaauia, French Polynesia | watercolor,paper |
Tahitian Man with His Arms Raised | 1897; Punaauia, French Polynesia | oil,canvas |
Tahitian mountains | 1893; French Polynesia | oil,canvas |
Faa Iheihe (Tahitian pastoral) | 1898; French Polynesia | oil,canvas |
Tahitian pastorale | 1898; Punaauia, French Polynesia | oil,canvas |
Tahitians at rest (unfinished) | c.1891; French Polynesia | oil,cardboard |
Tahitian Scene | c.1892; French Polynesia | watercolor,paper |
Tahitian village | 1892; French Polynesia | oil,canvas |
Tahitian Woman | 1894 | charcoal,pastel,paper |
Two vases of flowers and a fan | 1885; Paris, France | oil,canvas |
Two women (Flowered hair) | 1902; French Polynesia | oil,canvas |
Under the Pandanus | 1891; French Polynesia | oil,canvas |
Upstream of Pont-Aven | 1888; Pont-aven, France | oil,canvas |
Vairumati | 1892; French Polynesia | oil,canvas |
Vase of flowers | 1886; France | oil,canvas |
Vase of flowers | 1896; French Polynesia | oil,canvas |
Vaugirard church | 1879; France | oil,canvas |
View of Pont-Aven from Lezaven | 1888; France | oil,canvas |
View of the beach at Bellangenai | 1889; France | pastel,paper |
Breton Boy by the Aven River | 1888; Pont-aven, France | oil,canvas |
Breton Boy in a Landscape with Goose | 1889; Pont-aven, France | oil,canvas |
Breton Boys Wrestling | 1888; Pont-aven, France | oil,canvas |
Breton Eve | 1889; France | pastel,watercolor,paper |
Breton Fisherman | 1888; Pont-aven, France | oil,canvas |
Breton Girls by the sea | 1889; France | oil,canvas |
Breton Landscape - Fields by the Sea (Le Pouldu) | 1889; France | oil,canvas |
Bretons and cows | 1889; France | watercolor,paper |
Breton village under snow | 1894; Paris, France | oil,canvas |
Breton Woman | 1886; Pont-aven, France | chalk,paper |
In Brittany | 1889; France | watercolor,paper |
Ingeborg Thaulow | 1883; Paris, France | oil,canvas |
Interior of the Painter's House, rue Carcel | 1881; Paris, France | oil,canvas |
In the forest Saint Cloud | 1873; France | oil,canvas |
In the forest Saint Cloud II | 1873; France | oil,canvas |
In the Heat (The Pigs) | 1888; France | oil,canvas |
In the Vanilla Grove, Man and Horse (The Rendezvous) | 1891; French Polynesia | oil |
In the Waves | 1889; France | oil,canvas |
Jeanne d'Arc, or Breton girl spinning | 1889; France | fresco,wood |
Joyousness | 1892; French Polynesia | gouache,watercolor |
Portrait of a woman (Marie Lagadu) | 1888; Arles-sur-tech, France | oil,canvas |
Portrait of a Young Woman, Vaite (Jeanne) Goupil | 1896; French Polynesia | oil,canvas |
Portrait of Claude Antoine Charles Favre | 1877; Paris, France | oil,canvas |
Portrait of Gaugin's daughter Aline | c.1879; Paris, France | watercolor,paper |
Portrait of Ingeborg Thaulow | 1877; Paris, France | oil,panel |
Portrait of Isidore Gauguin | 1884 | oil,canvas |
Portrait of Louis Roy | 1893 | oil,canvas |
Portrait of Madelaine Bernard | 1888; France | oil,canvas |
Portrait of Philibert Favre | 1885; Paris, France | oil,panel |
Portrait of Suzanne Bambridge | 1891 | oil,canvas |
Tahitian Woman | 1899; French Polynesia | pastel,paper |
Tahitian woman and boy | 1899; Punaauia, French Polynesia | oil,canvas |
Tahitian woman and two children | 1901; French Polynesia | oil,canvas |
Tahitian Woman in a Landscape | 1893; French Polynesia | glass |
Tahitian woman near river | 1893; French Polynesia | oil,canvas |
Tahitian woman's head | c.1892; French Polynesia | pencil,paper |
Tahitian woman with flower in her hair | c.1891; French Polynesia | oil,canvas |
Tahitian women | 1891; French Polynesia | oil,canvas |
Tahitian Women Bathing | 1892 | |
Tahitian women on the beach | 1892; French Polynesia | oil,canvas |
Village in the snow | 1894; France | oil,canvas |
Village street, Osny | 1883; France | oil,canvas |
Washerwomen | 1888; Arles-sur-tech, France | oil,canvas |
Washerwomen at Pont-Aven | 1886; Pont-aven, France | oil,canvas |
Washerwomen at Roubine du Roi | 1888; Arles-sur-tech, France | oil,canvas |
Watering place | 1885; France | oil,canvas |
What's New? | 1892; French Polynesia | oil,canvas |
When Will You Marry? | 1892; French Polynesia | oil,canvas |
Where are you going? | 1892; French Polynesia | oil,canvas |
Breton Woman and Goose by the Water | 1888; Pont-aven, France | oil,canvas |
Breton Woman with a Pitcher | 1888; Pont-aven, France | oil,canvas |
Breton Women at the Turn | 1888; Pont-aven, France | oil,canvas |
Brittany landscape with women carrying sack | 1889; France | oil,canvas |
Brooding Woman | 1891; French Polynesia | oil,canvas |
Bust of a nude girl | 1884; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,panel |
By the Sea | 1892; French Polynesia | oil,canvas |
By the Stream, Autumn | 1885; Paris, France | oil,canvas |
Cabin under the trees | 1892; French Polynesia | oil,canvas |
Cail Factories and Quai of Grenelle | 1875; Paris, France | oil,panel |
Kelp gatherers | 1890; France | pencil,watercolor,paper |
Kneeling cow | 1888; France | oil,canvas |
Landscape | 1885; Paris, France | oil,canvas |
Landscape | 1899; Punaauia, French Polynesia | oil,canvas |
Landscape at Arles | 1888; Arles-sur-tech, France | oil,canvas |
Landscape at Le Pouldu | 1890; France | oil,canvas |
Landscape at Le Pouldu, the isolated house | 1889; France | oil,canvas |
Landscape at Pont-Aven | 1886; Pont-aven, France | oil,canvas |
Landscape near Arles | 1888; Arles-sur-tech, France | oil,canvas |
Landscape near Osny | c.1884; France | oil,canvas |
Portrait of two children (Paul and Jean Schuffneker) | c.1889; France | oil,canvas |
Portrait of William Molard | 1894; Paris, France | oil,canvas |
Pots and Boquets | 1886; Paris, France | oil,canvas |
Quarries at Pontoise | 1882; France | oil,canvas |
Quarries at Pontoise II | 1882; France | oil,canvas |
Quarry hole in the cliff | 1882; France | oil,canvas |
Reclining Tahitian Women | 1894; France | oil,canvas |
Red hat | 1886; Paris, France | oil,canvas |
Redheaded woman and sunflowers | c.1890; France | oil,canvas |
Red roof by the water | 1885; France | oil,canvas |
Tahitian women under the palms | 1892; French Polynesia | oil,canvas |
Taperaa Mahana | 1892; French Polynesia | oil,canvas |
Tehamana has many parents (The Ancestors of Tehamana) | 1893; French Polynesia | oil,canvas |
Te Nave Nave Fenua (Delightful Land) | 1892; Asia/Pacific Region | |
The Agony in the Garden | 1889; France | oil,canvas |
The artist's children | 1884; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,canvas |
The Bathers | 1897; Punaauia, French Polynesia | oil,canvas |
The boss's daughter | 1886; Paris, France | oil,canvas |
The Call | 1902; French Polynesia | oil,canvas |
The Cellist (Portrait of Upaupa Scheklud) | 1894 | oil,canvas |
Whispered Words | 1892; French Polynesia | oil,canvas |
White house | 1885; France | oil,canvas |
Why Are You Angry? | 1896; French Polynesia | oil,canvas |
Willow by the Aven | 1888; Pont-aven, France | oil,canvas |
Willows | 1885; France | oil,canvas |
Willows | 1889 | oil,canvas |
Winter Landscape | 1879; Paris, France | oil,canvas |
Winter's end | 1885; France | oil,canvas |
Woman by the sea | 1892; French Polynesia | oil,canvas |
Woman Holding a Fruit | 1893; French Polynesia | oil,canvas |
Calvaire breton | 1889; France | oil,canvas |
Captain Jacob | 1888; France | oil,canvas |
Caribbean Woman, or Female Nude with Sunflowers | 1889; France | oil,wood |
Cattle drinking | 1885; France | oil,canvas |
Change of Residence | 1899 | woodcut,japanese paper |
Change of Residence | 1901 - 1902 | |
Chicken Coop | c.1875; France | oil,canvas |
China Asters, Hat and Book | c.1876; Paris, France | oil,panel |
Christmas night | 1894; Pont-aven, France | oil,canvas |
Clay jug and irin mug | 1880; France | oil,canvas |
Landscape of Brittany | 1888; Pont-aven, France | oil,canvas |
Landscape with black pigs and a crouching Tahitian | 1891; French Polynesia | oil,canvas |
Landscape with cows in an Orchard | 1885; France | |
Landscape with geese | 1888; Arles-sur-tech, France | oil,canvas |
Landscape with peacocks | 1892; French Polynesia | oil,canvas |
Landscape with Poplars | 1875; France | oil,canvas |
Landscape with three figures | 1901; French Polynesia | oil,canvas |
Landscape with three trees | 1892; French Polynesia | oil,canvas |
Landscape with two breton women | 1889; Pont-aven, France | oil,canvas |
Landscape with two goats | 1897; French Polynesia | oil,canvas |
Returning from the harvest (Manuring) | 1884 | oil,canvas |
Riders on the Beach I | 1902; French Polynesia | oil,canvas |
Riders on the Beach II | 1902; French Polynesia | oil,canvas |
River Aven below moun Saint Marguerite | 1888; Pont-aven, France | oil,canvas |
River bank in winter | c.1881; Paris, France | oil,canvas |
Riverside (Breton landscape) | 1879; France | oil,canvas |
Road in Tahiti | 1891; French Polynesia | oil,canvas |
Rocks and sea | 1886; Pont-aven, France | oil,canvas |
Rocks on the breton coast | 1888; Pont-aven, France | oil,canvas |
Rocks on the coast | 1889; Pont-aven, France | oil,canvas |
The child | 1895 | oil,canvas |
The cliffs of Le-Bouille | 1884; France | oil,canvas |
The clog-maker | 1888; Arles-sur-tech, France | oil,canvas |
The creek, Le Pouldu | 1889; France | oil,canvas |
The dreaming | 1892; French Polynesia | oil,canvas |
The embroiderer or Mette Gauguin | 1878; Paris, France | oil,canvas |
The encounter | 1892; French Polynesia | oil,canvas |
The farm in Grue | 1883; France | oil,canvas |
The first flowers | 1888; Pont-aven, France | oil,canvas |
The fisherwomen of Tahiti | 1891; French Polynesia | oil,canvas |
Woman with a Flower | 1891; French Polynesia | oil,canvas |
Woman with a Mango | 1892; French Polynesia | oil,canvas |
Women and white horse | 1903; French Polynesia | watercolor,paper |
Women at the banks of river | 1892; French Polynesia | oil,canvas |
Women at the riverside | 1892; French Polynesia | oil,canvas |
Women bathing (Dieppe) | 1885; Dieppe-sous-douaumont, France | oil,canvas |
Wooded path | 1884; France | oil,canvas |
Words of the Devil | 1892; French Polynesia | pastel,paper |
Working the land | 1873; France | oil,canvas |
Yellow Haystacks (Golden Harvest) | 1889; France | oil,canvas |
Clearing | 1873; France | oil,canvas |
Cliff near Dieppe | 1885; France | oil,canvas |
Clovis | 1886; France | oil,canvas |
Clovis Gauguin asleep | 1884; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,canvas |
Coastal landscape | 1886; Pont-aven, France | oil,canvas |
Coastal Landscape from Martinique | 1887; Martinique | oil,canvas |
Come here | 1891; French Polynesia | oil,canvas |
Coming and going, Martinique | 1897; Martinique | oil,canvas |
Conversation | 1885; France | oil,canvas |
Corner of the garden rue Carsal | c.1881; Paris, France | oil,canvas |
Lane at alchamps, Arles | 1888; Arles-sur-tech, France | oil,canvas |
Lilac bouquet | 1885; Paris, France | oil,canvas |
Little breton bather | 1888; Pont-aven, France | oil,canvas |
Lollichon Field | 1886; Pont-aven, France | oil,canvas |
Lollichon's Field and the Church of Pont-Aven | 1886; Pont-aven, France | oil,canvas |
Madame Alexandre Kohler | 1887; Paris, France | oil |
Madame Roulin | 1888; Arles-sur-tech, France | oil,canvas |
Mandolina and Flowers | 1883; Paris, France | oil,canvas |
Mandolin on a chair | 1880; Paris, France | oil,canvas |
Mango pickers (Martinique) | 1887; Martinique | oil,canvas |
Rouen at spring | 1884; Déville-lès-rouen / Maromme / Déville, France | oil,canvas |
Rouen suburb | 1884; Déville-lès-rouen / Maromme / Déville, France | oil,canvas |
Rue Jouvenet, Rouen | 1884; Déville-lès-rouen / Maromme / Déville, France | oil,canvas |
Sacred Spring | 1894 | oil,canvas |
Scene from Tahitian Life | 1896 | oil,canvas |
Schooner and three masters | 1886; Pont-aven, France | oil,canvas |
Schuffenecker Family | 1889; France | oil,canvas |
Seaside harvest | 1890; France | oil,canvas |
Seated breton girl | 1889; France | oil,canvas |
Self Portrait | c.1890; Paris, France | oil,canvas |
The Forest Edge | 1885; France | oil,canvas |
The Forest Path | 1873; France | oil,canvas |
The garden in winter, rue Carcel | 1883; Paris, France | oil,canvas |
The Great Buddha | 1899; Punaauia, French Polynesia | oil,canvas |
The Green Christ | 1889 | |
The guitar player | 1894; Paris, France | oil,canvas |
The Ham | 1889; France | oil,canvas |
The Hibiscus Tree | 1892; French Polynesia | oil,canvas |
The house of singing | 1892; French Polynesia | oil,canvas |
The Invocation | 1903; French Polynesia | oil,canvas |
Young breton by the sea | 1889; Pont-aven, France | colored pencils,paper |
Young Breton Woman | 1889; France | oil,canvas |
Young Christian Girl | 1894; Paris, France | oil,canvas |
Young Girl Dreaming (Study of a Child Asleep) | 1881; Paris, France | oil,canvas |
Young Man with a Flower Behind his Ear | 1891; French Polynesia | oil,canvas |
Young woman at the window | 1888; France | oil,canvas |
Young woman lying in a grass | 1884 | oil,canvas |
Abandoned garden in Rouen | c.1884; Paris, France | oil,canvas |
A big tree | 1891 | oil,jute |
A blue roof (Farm in Pouldu) | 1890; France | oil,canvas |
Cottages on Mount Sainte Marguerite | 1888; France | oil,panel |
Cove opposite Pont-Aven Harbor | 1888; Pont-aven, France | oil,canvas |
Cows on the Seashore | 1886; France | oil,canvas |
Crouching Tahitian woman | 1902; French Polynesia | |
Dahlias in a copper vase | 1885; Paris, France | oil,canvas |
Daisies and peonies in blue vase | 1876; Paris, France | oil,canvas |
Delectable Waters | 1898; French Polynesia | oil,canvas |
Dogs running through a field | 1888; Pont-aven, France | oil,canvas |
Donkey by lane | 1885; France | oil,canvas |
Double portrait of a young girl (Mademoiselle Lafuite) | 1883; Paris, France | oil,canvas |
Man Picking Fruit from a Tree | 1897; Punaauia, French Polynesia | oil,canvas |
Man with a Toque | c.1876; Paris, France | oil,canvas |
Marquesan landscape with horses | 1901; French Polynesia | oil,canvas |
Mas, near Arles | 1888; Arles-sur-tech, France | oil,canvas |
Maternite II | 1899; Punaauia, French Polynesia | oil,canvas |
Maternity (Three Women on the Seashore) | 1899; Punaauia, French Polynesia | oil,canvas |
Meadow at the banks of Aven | 1888; Pont-aven, France | oil,canvas |
Meadow in Martinique | 1887; Martinique | oil,canvas |
Mette asleep on a sofa | 1875; Paris, France | oil,canvas |
Mette Gauguin in an Evening Dress | 1884; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,canvas |
Self Portrait | 1885; Paris, France | oil,canvas |
Self Portrait | 1896; French Polynesia | oil,canvas |
Self portrait at Lezaven | 1888; France | oil,canvas |
Self portrait, at work | c.1893; French Polynesia | pencil,watercolor,paper |
Self-Portrait with Portrait of Émile Bernard (Les misérables) | 1888; Arles-sur-tech, France | oil,canvas |
Self Portrait in a Hat | c.1893; Paris, France | oil,canvas |
Self portrait with mandolin | 1889; France | oil,canvas |
Self portrait with palette | 1894; Paris, France | oil,canvas |
Self portrait with spectacles | 1903; French Polynesia | oil,canvas |
Self Portrait with the Yellow Christ | 1890; France | oil,canvas |
The Kelp Gatherers | 1889; France | oil,canvas |
The King's Wife | 1896; French Polynesia | oil,canvas |
The large tree | 1889; France | oil,canvas |
The large tree | 1891; French Polynesia | oil,canvas |
The lemon picker | 1891; French Polynesia | oil,canvas |
The little valley | c.1891; French Polynesia | oil,canvas |
The loss of virginity (Awakening of spring) | 1891; French Polynesia | oil,canvas |
The market gardens of Vaugirard | 1879; France | oil,canvas |
The Meal (The Bananas) | 1891; French Polynesia | oil,canvas |
The Messengers of Oro | 1893 | |
A breton boy | 1889; France | oil,canvas |
A breton landscape. David's mill. | 1894; France | oil,canvas |
A Canoe (Tahitian Family), | 1896; French Polynesia | oil,canvas |
Adam and Eve | 1902; French Polynesia | oil,canvas |
Day of the Gods | 1894 | oil,canvas |
A Henhouse | 1884; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,canvas |
Aline Gauguin and one of her brothers | c.1883; Paris, France | oil,canvas |
A little cat | 1888; Pont-aven, France | oil,canvas |
A little washerman | 1887; France | oil,canvas |
Alone | 1893; French Polynesia | oil,canvas |
Eiaha Ohipa or Tahitians in a Room | 1896; French Polynesia | oil,canvas |
Evening primroses in the vase | 1885; Paris, France | oil,canvas |
Exotic Eve | 1890 | |
Farm in Brittany | 1886; Pont-aven, France | oil,canvas |
Farm in Brittany | 1894; Paris, France | oil,canvas |
Farm in Osny | 1883; France | oil,canvas |
Fire by the water | 1886; Pont-aven, France | oil,canvas |
Fire Dance | 1891; French Polynesia | oil,canvas |
Fisherman and bathers on the Aven | 1888; Pont-aven, France | oil,canvas |
Mimi and her Cat | 1890; France | gouache,cardboard |
Mother and Daughter | c.1891; French Polynesia | oil,canvas |
Mountain landscape | 1882; France | oil,canvas |
Mysterious Water | 1893; French Polynesia | oil,canvas |
Nasturtiums & dahlias in a basket | 1884; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,canvas |
Nativity | 1896; French Polynesia | oil,canvas |
Near Rouen | 1884; France | oil,canvas |
Negreries Martinique | 1890; France | collage,gouache,ink,watercolor,paper |
Night café, Arles | 1888; Arles-sur-tech, France | oil,jute |
She goes down to the fresh water (Haere Pape) | 1892; French Polynesia | oil,canvas |
Sheperd and sheperdess in a meadow | 1888; France | oil,canvas |
Siesta | 1894; Paris, France | oil,canvas |
Skaters in Fredericksberg park | 1884; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,canvas |
Stabble near Dieppe | 1885; France | oil,canvas |
Stabble near Dieppe | 1886; France | oil,canvas |
Still Life Fete Gloanec | 1888; France | oil,canvas |
Still life of onions and pigeons and room interior in Copenhagen | 1885; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,canvas |
Still life Ripipont | 1889; France | oil,canvas |
Still life. Vase with flowers on the window | 1881; Paris, France | oil,canvas |
The milkmaid | 1889; France | canvas,tempera |
The moment of truth I | 1892; French Polynesia | oil,canvas |
The moment of truth II | 1893; French Polynesia | oil,canvas |
The month of Maria | 1899; Punaauia, French Polynesia | oil,canvas |
The morning | 1892; French Polynesia | oil,canvas |
The Offering | 1902; French Polynesia | oil,canvas |
The Port Of Rouen | 1884; France | oil,canvas |
The queen of beauty | c.1896; French Polynesia | watercolor,paper |
The Queen's Mill | 1881; France | oil,canvas |
The red cow | 1889; France | oil,canvas |
A man with axe | 1891; French Polynesia | oil,canvas |
Among the lillies | 1893 | oil,canvas |
And the Gold of Their Bodies | 1901; French Polynesia | oil,canvas |
Annah the Javanese | 1893 | oil,canvas |
Apples in bowl | 1888; Arles-sur-tech, France | oil,canvas |
Apples, Jug, Iridescent Glass | 1884; France | oil,canvas |
Apple-Trees in Blossom | 1879; France | oil,canvas |
Arearea I | 1892; French Polynesia | oil,canvas |
Are You Jealous? | 1892; French Polynesia | oil,canvas |
Around the huts | 1887; Martinique | oil,canvas |
Flight | 1901; French Polynesia | oil,canvas |
Floral and vegetable motifs | 1893 | glass |
Flowers and a bird | c.1885; Paris, France | oil |
Flowers and carpet | 1881; Paris, France | oil,canvas |
Flowers and carpet (Pansies) | 1880; Paris, France | oil,panel |
Flowers and Japanese book | 1882; Paris, France | oil,canvas |
Flowers in a fruit bowl | 1894; Paris, France | oil,canvas |
Flowers of France | 1891; French Polynesia | oil,canvas |
Flutist on the cliffs | 1889; France | oil,canvas |
Four Breton Women | 1886; Pont-aven, France | oil,canvas |
Night Cafe in Arles (Madame Ginoux) | 1888; Arles-sur-tech, France | oil,canvas |
Nirvana, Portrait of Jacob Meyer de Haan | 1890; France | oil,silk |
Noa Noa Suite: Delightful Land | c.1893; Paris, France | woodcut,paper |
Normandy Landscape: Cow in a Meadow | 1884; Déville-lès-rouen / Maromme / Déville, France | oil,canvas |
Nostalgic Promenade | 1889; Pont-aven, France | oil,canvas |
The Coast of Bellangenay | c.1890 | |
Martinique Landscape | 1887 | oil,canvas |
Notre Dame des Agnes | 1884; France | oil,canvas |
Oestervold Park, Copenhagen | 1885; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,canvas |
Olden times | 1892; French Polynesia | oil,canvas |
Still Life with a Fan | c.1889; France | oil,canvas |
Still Life with a Mandolin | 1885; Paris, France | oil,canvas |
Still life with apples and green vase | 1890; France | oil,canvas |
Still Life with Apples, a Pear and a Ceramic Portrait Jug | 1889; France | oil,panel |
Still life with carafe and ceramic figure | 1885; Paris, France | oil,canvas |
Still Life with Cherries | 1886; Paris, France | oil,canvas |
Still life with fruit plate | 1880; Paris, France | oil,canvas |
Still life with horse's head | 1886; France | oil,canvas |
Still life with Japanese print | 1888; France | oil,canvas |
Still Life with l'Esperance | 1901; French Polynesia | oil,canvas |
The rider in front of the hub | 1892; French Polynesia | oil,canvas |
The road up | 1884 | oil,canvas |
The Royal End | 1892; French Polynesia | oil,canvas |
The Seed of the Areoi | 1892; French Polynesia | oil |
The Seine at the Pont d'Iena | 1875; Paris, France | oil,canvas |
The Seine in Paris | 1875; Paris, France | oil,canvas |
The Seine opposite the wharf de passy | 1875; Paris, France | oil,canvas |
The Sorcerer of Hiva Oa (Marquesan Man in the Red Cape) | 1902; French Polynesia | oil,canvas |
The square pond | 1884 | oil,canvas |
The swineherd | 1889; Pont-aven, France | oil,canvas |
A seashore | 1887; Martinique | oil,canvas |
At the black rocks | 1889; France | gouache,ink,watercolor,paper |
At the Foot of the Mountain | 1892; French Polynesia | oil,canvas |
At the pond | 1887; Martinique | oil,canvas |
At the Window | 1882; Paris, France | oil,canvas |
Aube the Sculptor and His Son | 1882; Paris, France | oil,canvas |
Autumn Landscape (Farm and pond) | 1877; France | oil,canvas |
Aven running through Pont-Aven | 1888; Pont-aven, France | oil,canvas |
Baby (Nativity of Tahitian Christ) | 1896; French Polynesia | oil,canvas |
Banks of the Oise | 1881; Paris, France | oil,canvas |
Fruit | 1886; France | |
Fruit in a bowl | 1886; France | oil,canvas |
Fruits | 1888; France | oil,canvas |
Garden In Rue Carcel | c.1883; Paris, France | oil,canvas |
Garden under Snow | 1879; Paris, France | oil,canvas |
Geese in the meadow | 1885; France | oil,canvas |
Geese on the farm | 1879; France | oil,canvas |
Girl with a Fan | 1902; French Polynesia | oil,canvas |
Grape Harvest at Arles | 1888; Arles-sur-tech, France | oil,canvas |
Gratte roosters path | 1882; France | oil,canvas |
Old Women of Arles | 1888; Arles-sur-tech, France | oil,canvas |
Orana Maria (Hail Maria) | 1894; Paris, France | watercolor,paper |
Orchard under the Church of Bihorel (Children in the Pasture) | 1884; France | oil,canvas |
Osny, rue de Pontoise, Winter | 1883; France | oil,canvas |
Osny, the gate of Busagny farm | 1884; France | oil,canvas |
Palm trees on Martinique | 1887; Martinique | oil,canvas |
Paris in the snow | 1894; Paris, France | oil,canvas |
Party wall | 1881; France | oil,canvas |
Path down to the Aven | 1888; Pont-aven, France | oil,canvas |
Paysage, Ou Promenade Familiale | 1901 | |
Still life with mangoes | c.1893; French Polynesia | oil,canvas |
Still life with mangoes and hibiscus | 1887; Martinique | oil,canvas |
Still life with onions, beetroot and Japanese print | 1889; France | oil,canvas |
Still life with Oranges | 1881; Paris, France | oil,canvas |
Still life with oysters | 1876; Paris, France | oil,canvas |
Still Life with Parrots | 1902; French Polynesia | oil,canvas |
Still Life with Peaches | 1889; France | oil,panel |
Still life with red mullet and jug | 1876; Paris, France | oil,canvas |
Still Life with Sunflowers on an armchair | 1901; French Polynesia | oil,canvas |
Still life with Tahitian oranges | 1892; French Polynesia | oil,canvas |
The Three Huts | c.1891; French Polynesia | oil,canvas |
The vase of nasturtiums | 1886; France | oil,canvas |
The vase of peonies | 1884; France | oil,canvas |
The wave | 1888; Pont-aven, France | oil,canvas |
The willows | 1889; France | oil,canvas |
The Wooden Gate (The Pig Keeper) | 1889; France | oil,canvas |
Three Tahitians | 1899; Punaauia, French Polynesia | oil,canvas |
Three Tahitian Women | 1896; French Polynesia | oil,wood |
Three Tahitian Women against a Yellow Background, 1899 (oil on canvas) | 1899; Punaauia, French Polynesia | oil,canvas |
To Make a Bouquet | 1880; Paris, France | oil,canvas |
Barbarian music | 1893; French Polynesia | watercolor,paper |
Barbarian poems | 1896; French Polynesia | oil,canvas |
Bare Trees | 1885; France | oil,canvas |
Basket of flowers | 1884; Amagerbro / Copenhagen / Amagerbro, Denmark | oil,canvas |
Bathers | 1902; French Polynesia | oil,canvas |
Bathing, Dieppe | 1885; Denmark | oil,canvas |
Bathing in Front of the Port of Pont-Aven | 1886; Pont-aven, France | oil,canvas |
Bathing Place | 1886; Pont-aven, France | oil,canvas |
Beach at Le Pouldu | 1889; France | oil,canvas |
Black pigs | 1891; French Polynesia | oil,canvas |
Hail Mary (Ia Orana Maria) | c.1893 - c.1895 | charcoal |
Harbour Scene, Dieppe | c.1883; Paris, France | oil,canvas |
Haymaking | 1889; France | oil,canvas |
Haymaking in Brittany | 1888; Pont-aven, France | oil,canvas |
Haymaking near Dieppe | 1885; France | oil,canvas |
Haystacks in Brittany | 1890; France | oil,canvas |
Head of a Breton (Marie Louarn) | 1888; Pont-aven, France | oil,canvas |
Head of a Woman | c.1892; French Polynesia | pencil,watercolor,paper |
Here we make love | c.1893; French Polynesia | watercolor,paper |
Her nami is Vairaumati | 1892; French Polynesia | oil,canvas |
Paysannes bretones | 1894; France | oil,canvas |
Pears and grapes | 1875; Paris, France | oil,panel |
Peasant Woman and Cows in a Landscape | 1890; France | oil,canvas |
Pere Jean's Path | 1885; Paris, France | oil,canvas |
Perfect days | 1896; French Polynesia | oil,canvas |
Petit Breton arranging his shoe, or Landscape at Pont-Aven, Brittany | 1888; Pont-aven, France | oil,canvas |
Pissarro's Garden, Pontoise | 1881; Cergy-pontoise, France | oil,canvas |
Pond with Ducks (Girl Amusing Herself) | 1881; France | oil,canvas |
Pont-Aven woman and child | 1886; Pont-aven, France | oil,canvas |
Port de Grenelle | 1875; France | oil,panel |
Still life with teapot and fruits | 1896; French Polynesia | oil,canvas |
Still life with white bowl | 1886; France | oil,canvas |
Stream in Osny | 1883; France | oil,canvas |
Street in Osny | 1883; France | oil,canvas |
Street in Rouen | 1884; Déville-lès-rouen / Maromme / Déville, France | oil,canvas |
Suburb under snow | 1886; France | oil,canvas |
Sunken Lane | 1884; France | oil,canvas |
Tahitian Eve | 1892; French Polynesia | watercolor,paper |
Tahitian idyll | 1901; French Polynesia | oil,canvas |
Tomatoes and a pewter tankard on a table | 1883; Paris, France | oil,canvas |
Tree in the farm yard | 1874; France | oil,canvas |
Tree linen road, Rouen | 1885; Déville-lès-rouen / Maromme / Déville, France | oil,canvas |
Tropical Conversation | 1887 | oil,canvas |
Tropical Landscape, Martinique | 1887; Martinique | oil,canvas |
Two cows in the meadow | 1884; France | oil,canvas |
Two girls bathing | 1887; France | oil,canvas |
Two sisters | 1892; French Polynesia | oil,canvas |
Two tahitian women | 1899; Punaauia, French Polynesia | oil,canvas |
Nevermore | 1897 | Oil on Canvas |
Where Do We Come From What Are We Where Are We Going | 1897 - 1898 | Oil on Canvas |
The Loss of Virginity | 1890-91 | Oil on Canvas |
Nude Study, or Suzanne Sewing | 1880 | Oil on Canvas |
Idol with a Pearl | 1892 | Tamanu wood polychromed and stained with gilding |
Contes barbares | 1902 | Oil on Canvas |
Be Mysterious | 1890 | Lime wood and polychrome |
Aha oe feii | 1892 | Oil on coarse Canvas |
Spirit of the Dead Watching | 1892 | Oil on Canvas |
The Swineherd, Brittany | 1888 | Oil on Canvas |
Les Alyscamps, Arles | 1888 | Oil on Canvas |
La Belle Angele | 1889 | Oil on Canvas |
The Yellow Christ (Le Christ jaune) | 1889 | Oil on Canvas |
At the Cafe | 1888 | oil,jute |
Breton Girls Dancing, Pont-Aven | 1888 | Oil on Canvas |
Faaturuma | 1891 | Oil on Canvas |
Femmes de Tahiti OR Sur la plage | 1891 | Oil on Canvas |
Jug in the Form of a Head, Self-portrait | 1889 | Stoneware |
Les Miserables | 1888 | Oil on Canvas |
Market Day | 1892 | Oil on Canvas |
Matamoe | 1892 | Oil on fine Canvas |
Meyer de Haan | 1889 | Oil on Wood |
Paysanes Paysannes bretonnes (Breton peasant women) | 1894 | Oil on Canvas |
Portrait de l'artiste (Self-portrait) | c. 1893-94 | Oil on Canvas |
Portrait of a Woman, with Still Life by Cezanne | 1890 | Oil on Canvas |
Portrait of the Artist with the Idol | c.1893 | Oil on Canvas |
Riders on the Beach | 1902 | Oil on Canvas |
Self-portrait with Halo | 1889 | Oil on Wood |
Self-portrait with Palette | c. 1894 | Oil on Canvas |
The Vision After the Sermon | 1888 | Oil on Canvas |
There is the Marae | 1892 | Oil on Canvas |
We Hail Thee Mary | 1891 | Oil on Canvas |
Still Life with Three Puppies | 1888 | Oil on Panel |
Blue Trees | 1888 | Oil on Canvas |
M. Loulou | 1890 | Oil on Canvas |
Seascape with Cow on the Edge of a Cliff | 1888 | Oil on Canvas |
Still Life with Profile of Laval | 1886 | Oil on Canvas |
The White Horse | 1898 | Oil on Canvas |
Van Gogh Painting Sunflowers | 1888 | Oil on Canvas |
Riders On The Beach | 1902 | Oil On Canvas |