623 Edgar Degas Paintings

By / May 7, 2024
Edgar Degas

Edgar Degas was a French artist famous for his paintings, sculptures, prints, and drawings. He was born in Paris in 1834 and is known for his depictions of ballerinas, racehorses, and everyday scenes of Parisian life. Degas was a leading figure in the Impressionist movement and is considered one of the greatest artists of the 19th century. He had a unique style and techniques, using pastels, oil paints, and charcoal to create his art. Degas' work continues to be admired and studied by art lovers and scholars around the world.

1. Combing the Hair

Combing the Hair

2. Portrait Of James Tissot

Portrait Of James Tissot

The artwork titled "Portrait of James Tissot," created by Edgar Degas between 1867 and 1868, is an oil on canvas measuring 59 5/8 by 44 inches (151.4 by 112 cm). Currently housed at the Metropolitan Museum of Art in New York, the piece features a contemplative James Tissot seated amidst a studio space, dressed in casual attire with an air of introspection. The background is adorned with framed paintings, subtly emphasizing the artistic milieu that surrounds the subject, encapsulating an intimate and reflective moment in the life of a fellow artist.

3. At the Café

At the Café

"At the Café" is an oil on canvas painting created around 1877 by Edgar Degas, a prominent figure in the Impressionism movement. The artwork portrays two figures in an intimate café setting, encapsulating a moment of everyday life, which is characteristic of genre painting. The composition's use of light and shadow and the captured mood reflect Degas's unique artistic technique and perspective. This painting is currently held in the Fitzwilliam Museum at the University of Cambridge in the United Kingdom.

4. At the Cafe des Ambassadeurs

At the Cafe des Ambassadeurs

The artwork titled "At the Cafe des Ambassadeurs" by Edgar Degas, created in 1885, is a pastel piece representative of the Impressionism art movement and categorized under the genre of genre painting. Currently housed in the Musée d'Orsay in Paris, France, the artwork depicts a vibrant and dynamic scene within a café, showcasing Degas's characteristic use of color and light to capture a fleeting moment of everyday life. The composition features overlapping figures, with a particular focus on a central female figure in a bustling environment, rendered with expressive and lively brushwork indicative of the artist's mastery in capturing the essence of contemporary urban scenes.

5. At the Milliner's

At the Milliner's

The artwork titled "At the Milliner's" by Edgar Degas, created around 1882, exemplifies the Impressionist movement and is a genre painting executed in pastel. Displayed at the Museum of Modern Art (MoMA) in New York City, this piece captures the intimate moment of women engaging with various hats in a millinery shop. The composition and use of soft, delicate strokes reveal Degas' keen observation of everyday scenes and his skill in rendering light and texture, characteristic of his atmospheric style.

6. At the Milliner's

At the Milliner's

"At the Milliner's," created by Edgar Degas circa 1905-1910 using pastel, exemplifies the Impressionism movement and genre painting. Currently housed in the Musée d'Orsay in Paris, France, the artwork captures a candid, intimate scene of a milliner's workshop. Rendered with delicate yet dynamic strokes, the composition invites the viewer into the bustling space where women engage with an array of colorful hats and fabrics, evoking the tactile and visual richness of the millinery trade.

7. At the Milliner's

At the Milliner's

"At the Milliner's," created by Edgar Degas in 1882, is a pastel artwork representative of the Impressionism art movement and falls under the genre of genre painting. The artwork depicts a scene within a millinery shop, where a woman tries on a hat while standing in front of a screen or mirror. Behind the screen, another figure is visible, perhaps an attendant or another customer. The use of pastel gives the painting a soft, textured appearance, and the choice of colors creates a warm, inviting atmosphere, emphasizing the everyday activities and intimate moments of the subjects' lives.

8. At the Milliner's

At the Milliner's

"At the Milliner's" is a pastel artwork created by Edgar Degas in 1883, belonging to the Impressionism movement. This genre painting, which measures 76 by 85 cm, beautifully captures a moment in a millinery shop where two women are seen interacting with hats. Depicting the elegance and fashion of the time, the women are engrossed in their exploration of the various headpieces showcased. Their detailed attire and the rich, warm colors contribute to the intimate, yet vibrant atmosphere of the scene. This artwork is housed in the Thyssen-Bornemisza Museum in Madrid, Spain.

9. At the Milliner's

At the Milliner's

"At the Milliner's" is an Impressionist genre painting created by Edgar Degas in 1881, using pastel as the medium. The artwork, measuring 69.2 x 69.2 cm, is housed in the Metropolitan Museum of Art in New York City. The painting portrays two women engaged in the intimate activity of trying on or examining hats, an everyday scene of the time. Degas' mastery in rendering delicate textures and the interplay of light and shadow is evident, as well as his focus on capturing contemporary life and fashion. The composition, with its subtle color palette and detailed depiction of fabric and accessories, exemplifies Degas' contribution to the Impressionist movement.

10. At the Mirror

At the Mirror

"At the Mirror" is an Impressionist genre painting by Edgar Degas, created approximately between 1885 and 1886. Exhibited at the San Diego Museum of Art, this pastel artwork captures an intimate moment of a woman as she adjusts her hair in front of a mirror. Degas' adept use of soft, subdued colors and delicate brushstrokes creates a serene and introspective atmosphere, characteristic of his mastery in depicting everyday scenes. The artwork underscores the artist's fascination with capturing fleeting moments of private life, enhanced by the reflective surface of the mirror which adds depth and complexity to the composition.

11. At the Races

At the Races
  • Artwork Name: At the Races
  • Year: c.1876 - c.1877
  • Medium: oil,canvas

The artwork titled "At the Races," created by Edgar Degas circa 1876-1877, is an oil painting on canvas, exemplifying the Impressionist movement. This genre painting captures the intimate and spontaneous nature of a moment at the races, depicting figures in vibrant attire, engaged under the shelter of a green umbrella. The composition highlights Degas' skillful use of color and light, creating a dynamic and atmospheric scene that immerses the viewer in the lively environment of the racecourse.

12. Dancers

Dancers
  • Artwork Name: Dancers
  • Year: c.1899
  • Medium: pastel

"Dancers," created circa 1899 by Edgar Degas, is a pastel artwork that belongs to the Impressionism art movement and falls under the genre of genre painting. Held in a private collection, the artwork depicts dancers in vibrant hues, capturing the dynamic motion and ethereal quality characteristic of Degas' fascination with ballet. Executed with a masterful use of pastels, the composition highlights the delicate interplay of light and color, rendering a vivid and evocative portrayal of the dancers' grace and elegance.

13. Dancers

Dancers
  • Artwork Name: Dancers
  • Year: c.1895 - c.1900
  • Medium: oil,canvas

The artwork, titled "Dancers," was created by Edgar Degas circa 1895-1900 using oil on canvas. It is an example of Impressionism and falls under the genre painting category. Currently housed in a private collection, the artwork vividly depicts a scene of ballerinas preparing for a performance, characterized by Degas's delicate brushwork and keen observation of movement and light. The composition captures an intimate moment of the dancers' routine, highlighting the grace and poise inherent in their profession.

14. Dancers

Dancers
  • Artwork Name: Dancers
  • Year: c.1900
  • Medium: pastel
  • Dimensions: 95.6 x 68 cm

The artwork, entitled "Dancers," is a pastel piece created around 1900 by the artist Edgar Degas. Falling within the Impressionist movement, this genre painting measures 95.6 by 68 centimeters and is housed at the Memorial Art Gallery at the University of Rochester in Rochester, NY, USA. The artwork depicts a vivid and dynamic scene of dancers, characterized by Degas' masterful use of color and expressive brushwork, encapsulating the grace and energy of the dancers in motion.

15. Dancers

Dancers
  • Artwork Name: Dancers
  • Year: c.1897 - c.1901
  • Medium: pastel

The artwork titled "Dancers," created by Edgar Degas circa 1897 to circa 1901, is a pastel piece that embodies the Impressionism art movement. This genre painting is held in a private collection. The composition depicts a group of ballerinas, captured in motion, their delicate tutus rendered with soft, nuanced strokes. The figures are intricately positioned, suggesting elegance and fluidity, all set against a background that evokes the atmosphere of a rehearsal or a backstage setting. This piece exemplifies Degas' mastery in portraying movement and the ephemeral qualities of light and color.

16. Dancers at the Barre

Dancers at the Barre

"Dancers at the Barre," crafted by Edgar Degas circa 1900 to 1905, exemplifies the Impressionist movement through its genre painting style. Rendered in oil on canvas, the artwork portrays two ballerinas at the barre against a vibrant, textured backdrop. The dancers are captured in a candid moment of practice, their forms defined by dynamic brushstrokes and an emphasis on the play of light and shadow. Currently housed in the Phillips Collection in Washington, DC, this piece reflects Degas' fascination with the grace and discipline of ballet, evoking a poignant sense of movement and quiet diligence.

17. Dancers at the Barre (study)

Dancers at the Barre (study)

The artwork, titled "Dancers at the Barre (study)" by Edgar Degas, is an oil painting on canvas created between 1876 and 1877. This piece exemplifies the Impressionist movement and falls under the genre of sketches and studies. Currently housed in the British Museum in London, UK, the artwork depicts a moment of elegance and poise as it captures ballerinas practicing at the barre through fluid and expressive brushstrokes. The delicate rendering and use of light and shadow highlight Degas' mastery in representing the grace and discipline of dancers.

18. Dancers at the Old Opera House

Dancers at the Old Opera House

"Dancers at the Old Opera House," created circa 1877 by Edgar Degas, is a pastel artwork characteristic of the Impressionism art movement. This genre painting depicts a scene within an opera house, capturing ballerinas mid-performance. The composition focuses on the ethereal quality of the dancers, with their delicate movements rendered in soft, light strokes. The background features the theater's interior, with audience members faintly discernible in the balconies, lending a sense of space and context to the dynamic and graceful scene.

19. Dancers Backstage

Dancers Backstage

The artwork, titled "Dancers Backstage," was created by Edgar Degas in 1872 using oil on canvas and is a notable example of the Impressionism art movement. This genre painting captures an intimate scene of ballerinas preparing backstage amidst a lush and somewhat indistinct setting, demonstrating Degas' mastery in depicting the nuances of light and movement. The soft, fluid brushstrokes and muted color palette evoke a sense of quiet anticipation and the ephemeral beauty of the moment.

20. Dancers Backstage (detail)

Dancers Backstage (detail)

"Dancers Backstage (detail)," created by Edgar Degas between 1876 and 1883, is an Impressionist genre painting. The artwork depicts a scene backstage with a focus on the intricate interplay of light and shadow, capturing the fleeting and candid moments that characterized the Impressionist movement. Degas masterfully uses soft, blended brushstrokes to convey the textures and subtleties in the ballerina's attire and surroundings, painting a vivid portrayal of the backstage atmosphere. The impressionistic use of color and form invites the viewer to experience the transient beauty of the scene, emphasizing the spontaneous and intimate nature of the dancers' world.

21. Jeantaud, Linet and Laine

Jeantaud, Linet and Laine

"Jeantaud, Linet and Laine" is an oil on canvas portrait created by Edgar Degas in 1871. Representing the Impressionism art movement, the artwork measures 38 by 46 centimeters and is housed in the Musée d'Orsay in Paris, France. The painting depicts three men in an intimate and somewhat somber setting, showcasing Degas's characteristic use of muted tones and attention to the emotional depth of his subjects.

22. Jerome Ottoz

Jerome Ottoz
  • Artwork Name: Jerome Ottoz
  • Year: 1875 - 1876
  • Medium: oil,cardboard

"Jerome Ottoz," created by esteemed artist Edgar Degas between 1875 and 1876, is an oil painting on cardboard that falls within the Impressionism movement. This poignant portrait captures the subject with a sense of depth and realism, employing rich, dark tones and a masterful play of light and shadow. Currently held in a private collection, the artwork reflects Degas's skillful technique and his ability to convey profound human expression within the constraints of the medium.

23. Jockey

Jockey
  • Artwork Name: Jockey
  • Year: 1862

The artwork "Jockey," created in 1862 by the esteemed artist Edgar Degas, belongs to the Impressionism movement and falls under the genre painting category. The artwork depicts a jockey riding a horse, sketched in a minimalist manner using predominantly blue tones. Degas captures the dynamic pose and essence of movement with elegant simplicity, characteristic of his impressionistic style. The sketch’s sparseness allows the viewer to focus on the fluidity and energy of the scene, reflective of Degas' keen observational skills and his ability to convey motion and emotion with economy of line.

24. Jockey

Jockey
  • Artwork Name: Jockey
  • Year: 1882
  • Medium: charcoal

The artwork titled "Jockey," created by Edgar Degas in 1882, is a charcoal sketch and study that embodies the characteristics of the Impressionism art movement. This piece, currently housed at the Ashmolean Museum in Oxford, UK, captures the dynamic posture and focused expression of a jockey in motion. The artist's deft use of charcoal highlights the fluidity of the figure, illustrating the energy and precision inherent in the subject's moment of action.

25. Jockey in Blue on a Chestnut Horse

Jockey in Blue on a Chestnut Horse

The artwork entitled "Jockey in Blue on a Chestnut Horse," created by Edgar Degas around 1889, is a masterful oil painting on panel that reflects the Impressionist art movement. The genre painting captures a dynamic and serene moment of a jockey donning a blue attire atop a chestnut horse, highlighted by Degas' characteristic brushstrokes that evoke a sense of movement and vitality. The artwork is currently housed in the Virginia Museum of Fine Arts in Richmond, Virginia.

26. Jockeys

Jockeys
  • Artwork Name: Jockeys
  • Year: 1886
  • Medium: pastel,paper

The artwork titled "Jockeys" by Edgar Degas, created in 1886, is a pastel on paper piece belonging to the Impressionist movement and classified as genre painting. Currently housed in the Hill-Stead Museum in Farmington, Connecticut, the artwork captures the essence of a quiet yet anticipatory moment before a horse race. The jockeys, adorned in their vibrant racing attire, are seen seated atop their horses, readying themselves for the impending race. The scene is set against a tranquil, verdant landscape, emphasizing Degas' skillful use of color and light to convey both tension and serenity.

27. Jockeys

Jockeys
  • Artwork Name: Jockeys
  • Year: c.1885 - c.1900
  • Medium: pastel

The artwork titled "Jockeys," created by Edgar Degas circa 1885 to circa 1900, is a pastel piece belonging to the Impressionism art movement. As a genre painting, the artwork captures a moment of equestrian activity with dynamic use of color and light, characteristic of Degas' style. This composition depicts jockeys on horseback in a lively scene, emphasizing spontaneous movement and vivid emotion. Currently housed in a private collection, "Jockeys" exudes a sense of immediacy and realism, evocative of Degas’ mastery in portraying contemporary life.

28. Jockeys

Jockeys
  • Artwork Name: Jockeys
  • Year: 1881
  • Medium: oil,canvas
  • Dimensions: 26.3 x 39.8 cm

Titled "Jockeys," this artwork was painted by Edgar Degas in 1881 using oil on canvas. It exemplifies the Impressionism art movement and measures 26.3 x 39.8 cm. This genre painting is located in the Yale University Art Gallery in New Haven, Connecticut. The artwork portrays a dynamic scene with a close-up view of jockeys on horseback, adorned in colorful, vibrant attire, capturing the essence of movement and the competitive atmosphere of horse racing.

29. Jockeys

Jockeys
  • Artwork Name: Jockeys
  • Year: 1895
  • Medium: oil,canvas

"Jockeys," an oil on canvas created by Edgar Degas in 1895, is an Impressionist genre painting currently held in a private collection. The artwork captures the dynamic scene of jockeys on horseback, characterized by energetic brushstrokes and a lively depiction of movement and light. The muted, earthy tones convey a sense of motion and fleeting moments typical of the Impressionist style, rendering a vivid and immediate experience of a day at the races.

30. Portrait of Mme. Rene De Gas, born Estelle Musson

Portrait of Mme. Rene De Gas, born Estelle Musson

The artwork, titled "Portrait of Mme. Rene De Gas, born Estelle Musson," was created by Edgar Degas between 1872 and 1873. Rendered in oil on canvas, this painting belongs to the Impressionism movement and fits within the genre of portraiture. The composition depicts a woman arranging a vibrant bouquet of flowers, her serene expression and poised posture captured in a stylized yet naturalistic manner characteristic of Degas' work. The warm, muted background contrasts harmoniously with the vivid colors of the flowers and the woman's attire, creating a balanced and intimate portrayal.

31. Portrait of Princess Pauline de Metternich

Portrait of Princess Pauline de Metternich

"Portrait of Princess Pauline de Metternich," an Impressionist oil on canvas work by Edgar Degas around 1860, measures 40 x 28.8 cm and is housed in the National Gallery in London, UK. The artwork presents a serene depiction of the princess, where Degas employs a soft color palette and delicate brushwork to capture her elegance. The background, adorned with subtle patterns, enhances the aristocratic aura of the subject. The artwork exemplifies the signature style of Degas, characterized by its detailed rendering and subtle yet expressive composition.

32. Portrait of Rene De Gas

Portrait of Rene De Gas

The artwork, "Portrait of Rene De Gas" by Edgar Degas, created in 1855, is an oil painting on canvas belonging to the Realism art movement and falls under the portrait genre. The artwork depicts a solemn, contemplative young individual, captured with precise detail and intimate expression. The subject is dressed in dark clothing with a distinctive red ribbon tied at the collar, set against a similarly dark, minimalist background, highlighting the subject's features and evoking a sense of depth and introspection typical of Degas' early portrait work.

33. Portrait of Rene-Hillaire De Gas

Portrait of Rene-Hillaire De Gas

The artwork, "Portrait of Rene-Hillaire De Gas," created by Edgar Degas in 1857, is an oil painting on canvas that resides in the Musée d'Orsay in Paris, France. A notable example of the Realism art movement, the portrait depicts an elderly man seated on a striped sofa, exuding a dignified yet contemplative demeanor. Dressed in a formal black coat, white shirt, and light trousers, he holds a cane casually in his hand, adding to the poised representation. The painting's meticulous attention to detail and realistic portrayal encapsulates the essence of portraiture from that period.

34. Portrait of Zacherie Zacharian

Portrait of Zacherie Zacharian

The artwork, titled "Portrait of Zacherie Zacharian," was created by Edgar Degas in 1886. Executed in pastel, this piece belongs to the Impressionism movement and comes under the genre of portraiture. The artwork showcases an individual in a contemplative pose, adorned with a hat and holding what appears to be a walking cane, with a background rendered in subtle, diffused colors that accentuate the subject's features. Currently, it is part of a private collection.

35. Project for Portraits in a Frieze - Three Women

Project for Portraits in a Frieze - Three Women

The artwork, entitled "Project for Portraits in a Frieze - Three Women," created by Edgar Degas in 1879, belongs to the Impressionism movement and falls under the genre of sketch and study. Currently residing in a private collection, the artwork features three women captured in varying postures and attire. Rendered with a combination of delicate lines and expressive undertones, Degas’ study intricately portrays the essence and demeanor of the subjects, highlighting his exceptional skill in capturing the subtleties of human forms and expressions.

36. Promenade by the Sea

Promenade by the Sea

"Promenade by the Sea," crafted by Edgar Degas around 1860 using oil on canvas, is a genre painting situated within the Impressionism art movement. The artwork, currently held in a private collection, depicts a serene coastal scene with two individuals on horseback, immersing in the tranquility of their surroundings. Degas’ subtle and muted color palette, along with his delicate brushstrokes, convey the ethereal quality of the moment, emphasizing an intimate connection between humanity and nature.

37. Racehorses

Racehorses
  • Artwork Name: Racehorses
  • Year: c.1895 - c.1900
  • Medium: pastel

"Racehorses," crafted by Edgar Degas circa 1895-1900, is a pastel artwork representative of the Impressionism movement and falls within the genre of genre painting. Currently housed at the National Gallery of Canada in Ottawa, the artwork depicts a scene of jockeys mounted on their racehorses. The piece showcases Degas's adept use of pastels to capture motion and life, emphasizing the dynamic and fleeting nature of the moment with an impressionistic style that focuses on the play of light and the atmosphere of the scene.

38. Racehorses

Racehorses
  • Artwork Name: Racehorses
  • Year: 1884
  • Medium: oil,canvas

"Racehorses," created by Edgar Degas in 1884, is an oil painting on canvas belonging to the Impressionism movement. Classified under genre painting, the artwork captures a dynamic scene of jockeys on horseback set against a picturesque countryside landscape. The riders are adorned in colorful attire, evoking the energy and excitement of horse racing. Currently held in a private collection, this piece exemplifies Degas' mastery in portraying movement and light, key characteristics of Impressionist art.

39. The Dance Studio

The Dance Studio

"The Dance Studio," created by Edgar Degas circa 1878, is a pastel artwork representative of the Impressionism movement and falls under the genre of genre painting. Presently located in a private collection, the artwork captures a moment within a ballet studio, rendered with delicate lines and soft hues. The central figure, a ballerina adjusting her dress, is enveloped in a milieu of dancers, illustrating Degas's keen observation and intimate portrayal of ballet dancers' daily practices. The piece is characterized by its dynamic composition and use of pastel to convey the texture and movement of the dancers’ tutus and the studio’s ambiance.

40. The Dancing Examination

The Dancing Examination

"The Dancing Examination," created by Edgar Degas in 1880 using pastel, is an Impressionist genre painting measuring 63.4 by 48.2 cm. The artwork, which is housed in the Denver Art Museum in Denver, Colorado, US, depicts three young ballerinas in white tutus during an examination, capturing a moment of poised anticipation and informal interaction. The warm tones and delicate technique exhibit Degas's masterful use of pastel to convey texture and light, as well as his keen observation of movement and human form.

41. The Daughter of Jephtha

The Daughter of Jephtha

"The Daughter of Jephtha" is an oil on canvas painting by Edgar Degas, created between 1859 and 1860. This artwork, housed at the Smith College Museum of Art in Northampton, MA, US, falls under the genre of religious painting and is associated with the Impressionism art movement. The artwork depicts a vivid scene with several figures, including a central group in animated discussion and activity, a rider on horseback, and a procession in the background. The combination of dynamic figures and rich color palette reflects both the tension and the narrative depth of the biblical tale being portrayed.

42. The Daughter of Jephtha (study)

The Daughter of Jephtha (study)

"The Daughter of Jephtha (study)" is an oil on canvas artwork by Edgar Degas, created between 1859 and 1860. Measuring 36.2 by 27.8 cm, this piece exemplifies Degas' early endeavors in the Impressionist movement and is categorized as a sketch and study. The artwork is presently held in a private collection. The scene depicted suggests a biblical narrative with figures in bold colors and dynamic postures against a backdrop of subtle earth and sky tones.

43. The Duchess de Montejasi and her daughters Elena and Camilla

The Duchess de Montejasi and her daughters Elena and Camilla

The artwork titled "The Duchess de Montejasi and her daughters Elena and Camilla" was created by Edgar Degas around the year 1876. This oil on canvas piece, measuring 66 by 98 centimeters, is a portrait belonging to the Impressionism art movement. Currently housed in a private collection, the artwork features the Duchess de Montejasi seated with her two daughters, Elena and Camilla, each enveloped in a somber and contemplative atmosphere. The figures are depicted in dark attire against an undefined, muted background, reflecting Degas' mastery in portraying human expressions and capturing the essence of intimate family moments.

44. The Entrance of the Masked Dancers

The Entrance of the Masked Dancers

"The Entrance of the Masked Dancers" by Edgar Degas, created approximately between 1879 and 1882, is a pastel artwork belonging to the Impressionism art movement. This genre painting forms part of the collection at the Clark Art Institute in Williamstown, Massachusetts, USA. The artwork depicts dancers, dressed in vibrant costumes, preparing for their performance. Degas captures the ephemeral elegance and the behind-the-scenes moments of the performers, using his signature soft, expressive pastel strokes to convey movement and atmosphere.

45. The Fallen Jockey

The Fallen Jockey

"The Fallen Jockey" is an oil-on-canvas work by Edgar Degas, created circa 1896-1898 and exemplifies the Impressionism movement. Categorized as a genre painting, this artwork vividly depicts a dramatic moment where a jockey has fallen to the ground while the horse, in mid-gallop, continues onward. Set against a backdrop of grassy terrain and a sky tinged with clouds, Degas captures the tension and motion in this scene. The painting currently resides in Kunstmuseum Basel, Basel, Switzerland.

46. The False Start

The False Start

"The False Start," created by Edgar Degas circa 1869-1870, is a genre painting executed in oil on panel. Representing the Impressionist movement, the artwork captures the moment preceding a horse race, typified by dynamic composition and a focus on the effects of light and movement. The scene depicts jockeys preparing for the race amidst a backdrop of spectators under a covered grandstand, evoking the atmosphere of anticipation and excitement. Currently housed at the Yale University Art Gallery in New Haven, Connecticut, this painting exemplifies Degas' keen observational skills and his interest in contemporary leisure activities.

47. The festival of the owner

The festival of the owner

"The Festival of the Owner," crafted by Edgar Degas between 1876 and 1877, is an Impressionist nude painting. The artwork exudes the signature vibrant and fluid brushstrokes characteristic of the Impressionist movement. It depicts several women in various states of undress and positions within a luminous and intimate setting. The use of light and shadow, combined with the experimental portrayal of the human figure, speaks to Degas' mastery in capturing both the physicality and the ethereal essence of his subjects.

48. The Green Dancer

The Green Dancer

"The Green Dancer," created in 1879 by Edgar Degas, is a pastel artwork rooted in the Impressionism movement and measures 66 x 36 cm. This genre painting, housed at the Thyssen-Bornemisza Museum in Madrid, Spain, depicts a ballerina in a vibrant green tutu, poised gracefully amid a backdrop of blurred figures similarly clad in dance attire. Degas masterfully captures the fluidity and dynamism of the dancer's motion using vibrant hues and dynamic brushstrokes, epitomizing the fleeting moments favored by Impressionist artists.

49. Woman at a Window

Woman at a Window
  • Artwork Name: Woman at a Window
  • Year: 1872
  • Medium: oil,cardboard
  • Dimensions: 61.3 x 45.9 cm

"Woman at a Window," created by Edgar Degas in 1872, is an oil painting on cardboard embodying the Impressionist art movement. The genre painting, measuring 61.3 by 45.9 centimeters, depicts a contemplative woman by a window, bathed in subdued light that casts a silhouette, adding a sense of depth and introspection. Subtle strokes and harmonious colors echo the ephemeral quality of light and shadow, eluding details while capturing the essence of the moment. This poignant piece is currently housed in the Courtauld Gallery in London, UK.

50. Woman at Her Bath

Woman at Her Bath

"Woman at Her Bath," created by Edgar Degas between circa 1893 and 1898, is an oil on canvas artwork that exemplifies the Impressionist movement. Presently housed in the Art Gallery of Ontario in Toronto, Canada, this nude painting depicts an intimate and private moment of a woman bathing, rendered with Degas's characteristic focus on light, color, and the human form. The composition captures the serene and contemplative nature of the scene, employing a soft and muted palette intertwined with fluid brushstrokes that convey both the physical and emotional nuance of the subject.

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