Leonardo da Vinci was a true Renaissance man, with talents spanning across painting, sculpture, architecture, engineering, and science. Born in 1452 in Vinci, Italy, he began his artistic career under the tutelage of Andrea del Verrocchio. He quickly showed natural genius and curiosity that set him apart from other artists of his time.
Da Vinci’s contributions to the art world are immense; he is widely considered one of the greatest painters in Western art history. Despite having only 25 attributed major works to his name, he founded the High Renaissance and made significant contributions to fields like anatomy and perspective. His most famous work is undoubtedly the Mona Lisa, which is celebrated for its composition and masterful use of sfumato.
But Leonardo was more than just an artist; his natural curiosity led him to study subjects like mathematics and astronomy as well. He made significant improvements to existing technology during his lifetime through inventions like machines that could fly or swim underwater.
In his later years, Leonardo even served as First painter, architect & engineer to King Francis I in France. To this day, Leonardo remains a prominent figure in both the art world and popular culture; he is often referred to as a true “Renaissance Man” for his many achievements across so many different fields.
All Leonardo Da Vinci Artwork on Artchive
Artwork Name | Year | Medium |
---|---|---|
View of a Skull | c.1500; Italy | |
View of a Skull | c.1489; Italy | |
Views of a Foetus in the Womb.jpg | c.1510 - c.1513; Italy | chalk,ink,paper |
Heads of an old man and a youth | c.1495; Milan, Italy | chalk,paper |
Heads of Judas and Peter | chalk,charcoal,paper | |
Heads of Sts Thomas and James the Greater | chalk,charcoal,paper | |
Heart and its Blood Vessels | c.1500; Italy | |
Landscape drawing for Santa Maria della Neve | 1473; Milan, Italy | ink,paper |
Landscape near Pisa | c.1502; Italy | chalk,paper |
Study sheet with cats, dragon and other animals | c.1513; Rome, Italy | chalk,ink,paper |
Study sheet with horses | c.1513; Rome, Italy | chalk,ink,paper |
The anatomy of a foot | c.1485; Milan, Italy | metalpoint,ink,paper |
The anatomy of a male nude and a battle scene | c.1505; Florence, Italy | |
The Baptism of Christ | c.1475; Italy | oil,panel,tempera |
The Madonna of the Carnation | c.1480; Milan, Italy | oil,panel |
The proportions of the head | c.1490; Milan, Italy | metalpoint,ink,paper |
The Study of a Drapery of a Figure Kneeling | c.1472 - c.1475 | |
The Study of Drapery of a Seated Figure | 1473 | |
The Virgin and Child with Saint Anne and Saint John the Baptist | c.1499; Italy | chalk,charcoal,paper |
Matched Couple | c.1490; Milan, Italy | ink,paper |
Multi Barrel Gun | c.1481; Milan, Italy | |
Topographical drawing of a river valley | c.1500; Italy | |
Various figure studies | c.1490; Italy | ink,paper |
Head of an Old Man | c.1488; Milan, Italy | ink,paper |
Head of a Young Woman with Tousled Hair (Leda) | c.1508; Milan, Italy | gouache,wood,oil |
Head of Christ | c.1495; Milan, Italy | pencil,wash,paper |
Head of Christ | chalk,paper | |
Head of Leda | c.1505; Florence, Italy | chalk,ink,paper |
Head of Saint Anne | c.1510; Milan, Italy | chalk,paper |
Study of nursing Madonna and profile heads | c.1480; Milan, Italy | ink,paper |
Study of St Anne, Mary and the Christ Child | c.1503; Florence, Italy | charcoal,ink,paper |
Study of St. Anne, Mary, the Christ Child and the young St. John | c.1503; Florence, Italy | ink,paper |
Study of the effect of light on a profile head (facsimile) | c.1488; Milan, Italy | chalk,ink,paper |
Study of the Graduations of Shadows on Spheres | c.1492; Italy | |
Study of the Hanged Bernardo di Bandino Baroncelli, assassin of Giuliano de Medici | 1479; Milan, Italy | ink,paper |
Study of the Madonna and Child with a Cat | c.1478; Milan, Italy | ink,paper |
Study of water | c.1513; Rome, Italy | ink,paper |
Study on the proportions of head and eyes | c.1500; Italy | ink,paper |
Study sheet | 1478; Milan, Italy | ink,paper |
Head of St. Andrew | chalk,paper | |
Head of St. James the Less | chalk,paper | |
Head of St. John the Evangelist | chalk,paper | |
Head of St. Peter | chalk,paper | |
Equestrian monument | c.1517; Paris, France | chalk,paper |
Equestrian Statue | c.1519; Paris, France | |
Female Head | 1490; Italy | chalk,charcoal,paper |
Five caricature heads | c.1490; Italy | ink,paper |
Flying machine | c.1487; Milan, Italy | metalpoint,ink,paper |
Galloping Rider and other figures | c.1503; Florence, Italy | chalk,paper |
Study of a rider | c.1504; Florence, Italy | chalk,paper |
Study of a woman's head | c.1490; Milan, Italy | metalpoint,paper |
Study of battles on horseback | c.1504; Florence, Italy | ink,paper |
Study of battles on horseback and on foot | c.1504; Florence, Italy | ink,paper |
Study of Christ for the Last Supper | c.1500; Italy | |
Study of David by Michelangelo | 1505; Florence, Italy | pencil,ink,paper |
Study of hands | c.1474; Milan, Italy | metalpoint,paper,silverpoint |
Study of horses | c.1490; Milan, Italy | metalpoint,paper |
Study of horses | c.1505; Florence, Italy | chalk,paper |
Study of horses for the Battle of Anghiari | c.1503; Florence, Italy | chalk,wash,ink,paper |
Grotesque Profile | c.1487; Milan, Italy | |
Group of riders in the Battle of Anghiari | c.1504; Florence, Italy | chalk,paper |
Head of a girl | c.1483; Milan, Italy | metalpoint,paper,silverpoint |
Head of a Man | c.1503; Florence, Italy | chalk,paper |
Drawing of a Woman's Torso | c.1507; Italy | ink,paper |
Drawing of drapery | c.1500; Italy | chalk,paper |
Drawing of lilies, for an Annunciation | c.1500; Italy | pencil,paper |
Drawing of locks on a river | c.1500; Italy | ink,paper |
Drawing of Salai | c.1500; Italy | |
Drawing of the Torso and the Arms | c.1500; Italy | |
Study for the Madonna with the Fruit Bowl | c.1478; Milan, Italy | ink,paper |
Study for the Sforza Monument | 1489 | |
Study for the Trivulzio Equestrian Monument | c.1510; Milan, Italy | ink,paper |
Study for the Trivulzio monument | c.1510; Milan, Italy | chalk,ink,paper |
Study of a central church | c.1488; Milan, Italy | chalk,ink,paper |
Study of a child | c.1508; Milan, Italy | chalk,paper |
Study of a child with a cat | c.1478; Milan, Italy | ink,paper |
Study of a Figure for the Battle of Anghiari | 1504 - 1505; Italy | chalk,paper |
Study of an apostle's head and architectural study | c.1496; Milan, Italy | chalk,ink,paper |
Study of an Old Man | c.1480; Italy | chalk,paper |
Drawing of the uterus of a pregnant cow | 1508; Milan, Italy | ink,paper |
Drawings of machines | c.1500; Italy | ink,paper |
Drawings of Water Lifting Devices | c.1481; Milan, Italy | ink,paper |
Design for an enormous crossbow | c.1500; Italy | ink,paper |
Design for a parabolic compass | c.1500; Italy | ink,paper |
Designs for a Boat | c.1485; Milan, Italy | |
Double manuscript page on the Sforza monument (Casting mold of the head and neck) | c.1493; Milan, Italy | chalk,paper |
Drapery for a seated figure | 1480; Italy | canvas,tempera |
Drapery for a seated figure | 1470; Italy | canvas,tempera |
Drawing of a botanical study | c.1500; Italy | ink,paper |
Study for St. Anne | c.1501; Italy | pencil,paper |
Study for St. John in the Wilderness | c.1510; Milan, Italy | chalk,paper |
Study for the Adoration of the Magi | c.1480; Italy | ink,paper |
Study for the "Burlington House Cartoon" (The Virgin and Child with St. Anne and St. John the Baptist) | c.1507; Milan, Italy | charcoal,paper |
Study for the Head of Leda | c.1506; Milan, Italy | chalk,ink,paper |
Study for the Kneeling Leda | c.1506; Milan, Italy | ink,paper |
Study for the Last Supper | c.1494; Milan, Italy | chalk,paper |
Study for the Last Supper | c.1495; Milan, Italy | metalpoint,ink,paper |
Study for the Last Supper: James | c.1495; Milan, Italy | chalk,paper |
Study for the Last Supper: Judas | c.1495; Milan, Italy | chalk,paper |
Drawing of a fancy dress costume | c.1500; Italy | |
Drawing of an equestrian monument | c.1500; Italy | |
Drawing of an flood | c.1500; Italy | |
Coition of a Hemisected Man and Woman | c.1492; Milan, Italy | |
Comparison of scalp skin and onion | 1489; Milan, Italy | chalk,ink,paper |
Crossbow Machine | c.1481; Milan, Italy | ink,paper |
Deluge over a city | c.1517; Paris, France | chalk,paper |
Design for a flying machine | c.1488; Milan, Italy | ink,paper |
Design for a Flying Machine | c.1505; Florence, Italy | chalk,paper |
Design for a Flying Machine | 1488; Milan, Italy | chalk,paper |
Studies of legs of man and the leg of a horse | c.1506; Milan, Italy | chalk,ink,paper |
Studies of the Arm showing the Movements made by the Biceps | c.1510; Italy | ink,paper |
Studies of the foetus in the womb | c.1513; Rome, Italy | chalk,wash,ink,paper |
Studies of the sexual act and male sexual organ | c.1492; Milan, Italy | ink,paper |
Studies of the Villa Melzi and anatomical study | 1513; Rome, Italy | ink,paper |
Studies of water | c.1510; Milan, Italy | ink,paper |
Studies of Water passing Obstacles and falling | c.1508; Milan, Italy | |
Study | c.1478; Milan, Italy | ink,paper |
Study for Madonna and Child with St. Anne | c.1510; Milan, Italy | chalk,wash,paper |
Study for Madonna with the Yarnwinder | c.1501; Italy | chalk,paper |
Design for a Giant Crossbow | 1482; Milan, Italy | ink,paper |
Design for a helicopter | c.1500; Italy | ink,paper |
Design for a machine for grinding convex lenses | c.1500; Italy | ink,paper |
Battle of Anghiari | c.1503 - c.1505; Florence, Italy | oil,panel |
Birch copse | c.1500; Italy | chalk,paper |
Bird's Eye View of a Landscape | c.1502; Italy | chalk,ink,watercolor,paper |
Bird's eye view of sea coast | c.1515; Rome, Italy | ink,paper |
Bust of a man in profile with measurements and notes | c.1490; Milan, Italy | ink,paper |
Canal bridge | c.1495; Milan, Italy | ink,paper |
Caricature | c.1500; Italy | ink,paper |
St. Jerome | c.1480; Milan, Italy | oil,panel,tempera |
Stof Bethlehem and other plants | c.1506; Milan, Italy | chalk,ink,paper |
Storm over a landscape | c.1500; Italy | chalk,paper |
Studies for a Nativity | 1480 - 1485; Italy | ink,paper |
Studies for the heads of two soldiers in 'The Battle of Anghiari' | c.1490 - c.1512; Florence, Italy | chalk,paper |
Study of a Bear Walking | c.1484; Milan, Italy | ink,paper |
Studies of central plan buildings | 1480; Milan, Italy | ink,paper |
Studies of crabs | ink,paper | |
Studies of human skull | 1489; Milan, Italy | chalk,ink,paper |
Studies of Leda and a horse | c.1504; Florence, Italy | chalk,ink,paper |
Caricature | c.1490 - c.1510; Italy | ink,paper |
Caricature | c.1490 - c.1511; Italy | ink,paper |
Codex on the flight of birds | 1505; Italy | ink,paper |
A seated man, and studies and notes on the movement of water | c.1510; Milan, Italy | ink,paper |
A study for an equestrian monument | c.1490; Milan, Italy | metalpoint,paper |
Automobile | c.1480; Milan, Italy | ink,paper |
Drawings of a bird in flight | c.1500; Italy | |
Mona Lisa | c.1503 - c.1519 | Oil on Panel (Poplar Wood) |
Leda | c.1510; Milan, Italy | oil,panel |
Leda and the Swan | c.1510; Milan, Italy | oil,panel |
Leda and the Swan | c.1506; Milan, Italy | chalk,wash,ink,paper |
Lily | c.1473 - c.1475; Milan, Italy | chalk,ink,paper |
Madonna Litta (Madonna and the Child) | c.1490; Italy | canvas,tempera |
Madonna with the Yarnwinder | c.1510; Milan, Italy | oil,canvas |
Manuscript page on the Sforza monument | c.1493; Milan, Italy | ink,paper |
Masquerader in the guise of a Prisoner.jpg | c.1502 - c.1517; Paris, France | chalk,paper |
The Virgin of the Rocks | c.1483 - c.1486 | oil,panel |
Woman's Head | c.1473; Milan, Italy | ink,paper |
Natural disaster | c.1517; Paris, France | chalk,ink,paper |
Old man with ivy wreath and lion's head | c.1494 - c.1519; Florence, Italy | chalk,paper |
One of Leonardo da Vinci's designs for an Ornithopter | c.1489; Milan, Italy | ink,paper |
Page from a notebook showing figures fighting on horseback and on foot | c.1504; Florence, Italy | ink,paper |
Perspectival study of the Adoration of the Magi | c.1481; Milan, Italy | ink,paper |
Portrait of a Bearded Man, possibly a Self Portrait | c.1484 - c.1513; Rome, Italy | chalk,paper |
Portrait of an Unknown Woman (La Belle Ferroniere) | c.1490; Milan, Italy | oil,panel |
La Bella Principessa - Portrait of Bianca Sforza | 1495 - 1498; Italy | ink,gouache,vellum,wood |
Profile of a man and study of two riders | c.1497; Milan, Italy | chalk,ink,paper |
Salvator Mundi | c.1500 | oil,panel |
Profile of an old man | c.1505; Florence, Italy | ink,paper |
A Grotesque Head | c.1502; Italy | chalk,paper |
Allegory | c.1516; Paris, France | chalk,paper |
An Artillery Park | 1487; Milan, Italy | pencil,paper |
Anatomical studies | c.1505; Florence, Italy | ink,paper |
Anatomical studies (larynx and leg) | 1510; Milan, Italy | ink,paper |
Anatomical studies of a male shoulder | c.1509; Milan, Italy | ink,paper |
Anatomical studies of the shoulder | c.1510; Milan, Italy | chalk,ink,paper |
Anatomy of the Neck | 1515; Rome, Italy | |
Annunciation | c.1480; Milan, Italy | oil,panel |
A plan of Imola | 1502; Italy | chalk,wash,ink,paper |
Profile of a warrior in helmet | c.1472; Milan, Italy | metalpoint,paper,silverpoint |
Scythed Chariot | c.1483; Milan, Italy | ink,paper |
Seated old man | c.1487 - c.1498; Milan, Italy | ink,paper |
Sedge | c.1510; Italy | pencil,paper |
Self Portrait | c.1505 | |
Self portrait on the Flight of Birds Codex | c.1485; Italy | |
Siege Defenses | c.1481; Milan, Italy | |
Sleeve Study for the Annunciation | c.1470 - c.1473 | |
Spring Device | c.1500; Italy | ink,paper |
Vetruvian Man | 1492 | Ink on Paper |
Lady with an Ermine | 1483-1490 | Oil on wood |
St. Jerome | c. 1480 | Tempera And Oil On Panel |
Head Of A Woman | ||
Sketches For "the Battle Of Anghiari" | ||
Rearing Horse | c.1503 | chalk,paper |
Cannon Foundry | 1487 | Ink on Paper |
The Virgin of the Rocks | 1483 - c.1505 | Oil on Panel |
Distance from the Sun to the Earth and the size of the Moon | ||
Benois Madonna | c.1478 | Oil on Canvas |
The Musician | c.1483 - 1487 | Oil on Panel |
The Virgin and Child with St. Anne and the Young St. John the Baptist | c. 1501 | Charcoal and touches of white on paper |
Geometric Figure Duodecendron elevatus vacuus | ||
Geometric Figure Tetracendron elevatus vacuus | ||
Head of a Warrior | c. 1504-06 | Red pencil on cream-colored paper |
Women's Head | c.1473 | |
Head of a Young Woman | c. 1506 - 1508 | |
John the Baptist | c.1515 | Oil on Panel |
Madonna Litta | c. 1490-91 | Tempera on Canvas, transferred from panel |
Muscles of the neck and shoulders | c. 1515 | |
Portrait of a Lady from the Court of Milan, called La Belle Ferronniere | 1490-95 | Oil on wood |
Portrait of Isabella d'Este | 1500 | chalk,paper |
Self-Portrait | c. 1512 | Red chalk |
Cats, lions, and a dragon | 1517-18 | Paper |
Study of Grotesque Heads | c.1494 | Ink on Paper |
study of the porportions of the head and body | c.1490 | metalpoint,paper |
The Annunciation | c.1472 | Oil on Panel,tempera,wood |
The Dreyfus Madonna | c. 1469 | Oil on panel |
The Virgin and Child with Saint Anne | c.1503 - c.1519 | Oil on Panel |
Portrait of Ginevra Benci | c.1474 | Oil on Wood |
Study for the Last Supper | c.1494 | Ink on Paper |
The Adoration of the Magi | 1480 | Oil on Panel |
The Last Supper | 1495 | plaster,tempera |