John Constable was an influential landscape painter who rose to prominence during the early 19th century. Born in East Bergholt, Suffolk, he belonged to a wealthy corn merchant family and received education at different private and grammar schools. He taught himself how to paint and exhibited his artworks at the Royal Academy in London before making his way to exhibit in Paris Salon.
Constable’s artwork emphasized landscape paintings using a variety of techniques such as drawing, painting, and printmaking. His paintings featured romanticized views of the British countryside that differentiated him from other artists of that time. He drew inspiration from Claude Lorrain’s painting Hagar and the Angel, which he viewed as a child.
The success of Constable’s career was largely attributed to Dr. John Fisher, who supported him throughout his artistic journey. Constable traveled extensively throughout Britain for his subject matter representation rather than using popular tourist locations; however, one particular personal trip led him to Salisbury where he sketched Gothic cathedrals that later became famous works.
His legacy persists even after his death as one of Europe’s most famous landscape painters. His contribution influenced Romanticism movements across Europe posthumously known for unconventional depictions nature-themed landscapes.
All John Constable Artwork on Artchive
Artwork Name |
Year |
Medium |
East Bergholt Church |
1811 |
oil,canvas |
East Bergholt Rectory |
1810 |
oil,canvas |
Flatford Mill |
1817 |
oil,canvas |
Flatford Mill from a Lock on the Stour |
1811 |
oil,canvas |
Flowers in a glass vase |
c.1814 |
oil,cardboard |
Fokstone harbour |
|
|
Foord Rd Mill, Folkestone |
1833 |
|
Golding Constable's Flower Garden |
1815 |
oil,canvas |
Golding Constable's Kitchen Garden |
1815 |
oil,canvas |
Hampstead |
1833 |
watercolor,paper |
Hampstead Heath |
c.1820 |
oil,canvas |
Hampstead Heath with a Rainbow |
1836 |
|
Hampstead Stormy Sky |
1814 |
|
Helmingham Dell |
|
oil,canvas |
His Majesty's Ship "Victory", Capt. E. Harvey, in the Memorable Battle of Trafalgar between two French Ships of the Line |
1806 |
|
Ladies From The Family Of Mr William Mason Of Colchester |
|
|
Landscape Evening |
c.1812 |
oil,canvas |
Landscape Ploughing Scene In Suffolk |
1814 |
oil,canvas |
Landscape with a Double Rainbow |
1812 |
oil,paper |
Landscape with Cottages |
1810 |
oil,canvas |
Malvern Hall |
c.1821 |
oil,canvas |
Marine Parade and Old Chain Pier |
1827 |
oil,canvas |
Mrs. James Pulham Sr. |
1818 |
oil,canvas |
Nuvens |
|
|
Old Sarum |
1829 |
oil,cardboard |
Old Sarum |
1834 |
watercolor,paper |
Pond in Branchhill |
|
oil,canvas |
Portrait of Maria Bicknell |
1816 |
oil,canvas |
Portrait of Mary Freer |
1809 |
oil,canvas |
Rainstorm over the Sea |
1824 - 1828 |
oil,paper |
Salisbury cathedral |
|
|
Salisbury Cathedral from Lower Marsh Close |
1820; United Kingdom |
oil,canvas |
Salisbury Cathedral from the Meadows |
1831 |
oil,canvas |
Scene on a River 1 |
c.1830 - c.1837 |
oil,canvas |
Scene on a River 2 |
c.1830 - c.1837 |
oil,canvas |
Seascape Study with Rain Cloud |
c.1827 |
|
SelfPortrait |
|
|
Shoreham Bay, Evening Sunset |
|
|
Shoreham Bay near Brighton |
1824 |
oil,paper |
Sketch for The Leaping Horse |
1824 |
|
Somerset House Terrace and the Thames A View from the North End of Waterloo Bridge with St. Paul's Cathedral in the distance |
|
|
Spring clouds study |
1822 |
|
Spring Ploughing |
1821 |
oil,panel |
Stonehenge |
1835; United Kingdom |
watercolor,paper |
Stour valley and Dedham village |
|
|
Stratford Mill |
c.1820 |
oil,canvas |
Study for poppies |
|
|
Study for The Leaping Horse (View on the Stour) |
|
oil,canvas |
Study of the Trunk of an Elm Tree |
1821 |
oil,paper |
Study of tree trunks |
|
|
Sunset study of Hampstead, looking towards Harrow |
|
oil,canvas |
The Admiral's House (The Grove) |
1820 - 1823 |
oil,canvas |
The edge of a Heath by moonlight |
1810 |
oil,canvas |
The Harvest Field |
|
oil,canvas |
The Hay Wain |
1821 |
oil,canvas |
The Leaping Horse |
c.1825 |
oil,canvas |
The Leaping Horse |
|
|
The Low Lighthouse and Beacon Hill |
c.1820 |
oil,canvas |
The Vale of Dedham |
1808 |
oil,canvas |
The view of Salisbury Cathedral from the river, with the house of the Archdeacon Fischer |
1820 |
|
The Young Waltonians |
c.1819 - c.1825 |
oil,canvas |
Traveller |
|
oil,canvas |
View at Epsom |
1809 |
oil,canvas |
View of Highgate from Hampstead Heath |
c.1834; United Kingdom |
oil,cardboard |
View of Salisbury |
c.1820; United Kingdom |
oil,canvas |
View on the River Severn at Worcester |
1835 |
pencil,paper |
View on the Stour |
|
|
View towards Dedham |
1808 |
oil,board |
A Boat at the Sluice |
|
oil,canvas |
A Church Porch |
1810 |
oil,canvas |
A Cottage in a Cornfield |
1817 |
oil,canvas |
A Hayfield near East Bergholt at Sunset |
1812; United Kingdom |
oil,canvas |
A Lane near Dedham |
1802 |
oil,canvas |
A Lane near Flatford |
1810 - 1811 |
oil,paper |
A Mill at Gillingham in Dorset |
c.1826 |
oil,canvas |
View Towards The Rectory From East Bergholt House |
1813 |
oil,canvas |
Water Meadows near Salisbury |
1820 |
oil,canvas |
Weymouth Bay (Bowleaze Cove) |
c.1816 |
oil,board |
Weymouth Bay with Jordan Hill |
1816 |
oil,canvas |
Willy Lot's House |
1810 |
oil,canvas |
Wivenhoe Park |
1816 |
oil,canvas |
Wivenhoe Park, Essex |
1816 |
|
Wooded Landscape |
1801 - 1802 |
oil,canvas |
Yarmouth Pier |
1822 |
oil,canvas |
Autumn berries and flowers in brown pot |
|
|
Autumn Sunset |
|
|
A View On The Stour Near Dedham |
1822 |
oil,canvas |
A Windmill near Brighton |
|
|
Beach in Brighton |
|
|
Boat Building |
1815 |
oil,canvas |
Boats on the Stour |
1811 |
oil,canvas |
Branch Hill Pond Hampstead |
1819 |
oil,canvas |
Brighton Beach |
|
oil,canvas |
Brighton Beach with Colliers |
1824 |
oil,paper |
Landscape: Boys Fishing |
1813 |
oil,canvas |
The Mill Stream |
1814 - 1815 |
oil,canvas |
Celebration of the General Peace of 1814 in East Bergholt |
1814 |
oil,canvas |
Cenotaph to the Memory of Sir Joshua Reynolds |
1836 |
oil,canvas |
Coast scene with breaking cloud Sun |
|
|
Cottage, Rainbow, Mill |
c.1830 - c.1837 |
oil,canvas |
Country road |
c.1826 |
oil,canvas |
Dedham Church and Vale |
1800 |
pen,ink,watercolor,paper |
Dedham Lock and Mill |
1820 |
oil,canvas |
Dedham Vale: Morning |
1811 |
oil,canvas |
Die Valley Farm |
1835 |
oil,canvas |
Detail Of: The White Horse |
1819 |
Oil On Canvas |
Wivenhoe Park, Essex |
1816 |
Oil On Canvas |
A View On The Stour |
1810 |
Oil On Paper Laid On Canvas |
Branch Hill Pond, Hampstead Heath |
1828 |
Oil On Canvas |
On The Stour |
c. 1834 |
Oil On Canvas |
Helmingham Dell |
1825-26 |
Oil On Canvas |
Harnham Gate, Salisbury |
1821 |
Oil On Canvas |
Hampstead Heath, Looking Towards Harrow |
1821 |
Oil On Paper Laid On Canvas |
Gillingham Mill |
1824 |
Oil On Canvas |
Arundel Mill and Castle |
1837 |
Oil on Canvas |
Dedham Lock and Mill |
1818 |
Oil on Canvas |
Hadleigh Castle |
1829 |
Oil on Canvas |
The Cornfield |
1826 |
Oil on Canvas |
Rainstorm off the Coast at Brighton |
c. 1824-28 |
Oil on paper laid on Canvas |
Salisbury Cathedral from the Bishop's Grounds |
c.1823 |
Oil on Canvas |
The Glebe Farm |
c. 1830 |
Oil on Canvas |
The Opening of Waterloo Bridge |
c.1832 |
Oil on Canvas |
Chain Pier, Brighton |
1827 |
Oil on Canvas |
Flatford Lock and Mill |
1812 |
Oil on Canvas |
Stour Valley and Dedham Church |
1814 |
Oil on Canvas |
Study of Clouds at Hampstead |
1821 |
Oil on paper laid on board |
Cloud Study |
1821 |
Oil on paper laid on board |
The Lock |
1824 |
Oil on Canvas |
The White Horse |
1819 |
Oil on Canvas |