Francisco Goya – Biography and Artwork of the Spanish Artist

Francisco Goya is one of the most influential artists in Spanish history, known for his innovative techniques and powerful political commentary. Born in 1746 in the Aragon region of Spain, Goya began his artistic career as an apprentice to a local artist. He quickly gained recognition for his skill and moved to Madrid to work for the Royal Tapestry Factory.

Throughout his career, Goya’s art was heavily influenced by Spanish culture, politics, and social issues. He is best known for his dark period, during which he created the haunting Black Paintings. These works reflect his disillusionment with the world around him and his own declining health.

Goya’s portrayal of women in his art is also a notable aspect of his work, often challenging traditional gender roles and societal expectations. His legacy in the art world is still felt today, with many artists citing his techniques and innovations as inspiration for their own work.

In this article, we will explore the life and career of Francisco Goya, examining his influence on Spanish culture and politics, his techniques and innovations in painting, and the evolution of his style throughout his career.

Early Life And Career Of Francisco Goya

Francisco Goya, one of Spain’s most famous painters, was born in Fuendetodos in 1746. At age 14, he began studying under painter Jose Luzan and later moved to Madrid to study with Anton Raphael Mengs. In 1773, he married Josefa Bayeu and had many pregnancies and miscarriages with only one child surviving.

Goya came into his own as an artist in 1775 when he created the first of around 60 cartoons for the royal tapestry factory of Santa Bárbara. Over the next two decades, he received several prestigious commissions that helped establish his reputation as a talented painter. Despite this recognition, it took him nearly 20 years to gain admission to Spain’s Royal Academy of San Fernando in Madrid.

Throughout his career, Goya developed a unique style that blended traditional painting techniques with more modern approaches. He is best known for his work depicting war scenes and political events during the Peninsular War between France and Spain. His paintings often displayed a sharp critique of society and its injustices.

Goya’s early life was marked by struggle but ultimately paved the way for a successful career as an artist. His legacy continues to live on today through his numerous works on display worldwide, showcasing both his artistic talent and social commentary.

The Influence Of Spanish Culture On Goya’s Art

Francisco José de Goya y Lucientes’s work is a reflection of Spanish culture during the late 18th and early 19th centuries. Goya’s formal portraits of the Spanish Court highlighted the wealth and power of the royal household, while his paintings, engravings, and drawings depicted the political and historical turmoil of the era. The influence of Spain can be seen in many aspects of his art.

Goya was influenced by Francisco Bayeu, Rembrandt, and Velázquez in his early years as an artist. However, after going deaf in 1792, he began to develop his own unique style that reflected more personal experiences. His grotesque imagery and searing social commentary have influenced many contemporary artists.

One example is Goya’s most famous painting, “The Third of May 1808,” which honors the Spanish resistance during the country’s occupation by Napoleon. The painting serves as a tribute to those who fought for their country’s freedom against an invasive force. It reflects not only Spain’s history but also its passions and strengths.

In conclusion, Francisco Goya was heavily influenced by Spanish culture throughout his career as an artist. His artwork captures essential moments in Spain’s history that define them as a nation. Furthermore, it has served as inspiration for countless contemporary artists since its creation over two centuries ago.

The Dark Period: Goya’s Black Paintings

Francisco Goya’s Black Paintings are a collection of 14 haunting and intense paintings that convey his pessimistic view of humanity. These paintings were created by Goya in his house, Quinta del Sordo, located outside Madrid from 1819 to 1823. They reflect the artist’s fear of insanity and bleak outlook on life.

The Black Paintings showcase a noticeably darker tone compared to Goya’s previous works. Processions are frequent elements in these last works, adding more depth and darkness to the paintings. The images depicted in these artworks are powerful and haunting, evoking strong emotions within the viewers.

The Black Paintings influenced Expressionism and Surrealism as they conveyed a sense of uncertainty about society’s future through their disturbing imagery. These works left an impact on modern art with artists like Pablo Picasso drawing inspiration from them.

In conclusion, Francisco Goya’s Black Paintings depict dark themes conveying his pessimistic perspective on humanity. With their powerful images that evoke strong emotions, they continue to influence modern art today.

The Role Of Politics In Goya’s Art

Francisco Goya’s art was influenced by the historical upheavals of his time. His paintings were informed by the Enlightenment, the Inquisition, and the horrors of war that followed the Napoleonic invasion. He was an astute observer of contemporary politics and a Spaniard of the Enlightenment and a moderate liberal whose social and political works transcended his beliefs.

Goya’s paintings explored socio-political challenges through his artistic expression rooted in Romanticism. His oeuvre depicted themes reflecting political commitments alongside political neutrality. His work was expressive and at times quite dark in nature, which resonated with audiences seeking authenticity.

Goya used art to convey messages about social issues as well as to document historical events. He highlighted injustices perpetrated on individuals or groups in society through his paintings which served as impactful commentaries on power dynamics during 18th-century Spain. Overall, Francisco Goya transcended politics successfully while also playing an important role in documenting them during one of Spain’s most tumultuous periods.

Goya’s Portrayal Of Women In Art

Francisco Goya was a renowned Spanish artist who frequently featured women in his artwork. In a major exhibition that showcased 114 of his works, including paintings, drawings, tapestry cartoons, tapestries, and prints, Goya’s representation of women took center stage. Some of the pieces were formal portraits of powerful women in Madrid that highlighted their wealth and position.

One such work was the famous portrait of the Naked Maja which challenged traditional representations of reclining women as goddesses or mistresses. Another notable piece was the Allegory of Industry which created a new iconography for working-class women in Spain’s eighteenth century. However, experts have questioned whether one of Goya’s most potent paintings featuring watchful male companions on a balcony with women should be attributed to him.

The feminist avant-garde movement emerged in the 1970s providing new ways for women to be depicted authentically in art. While Goya lived over 200 years ago before this revolutionary movement started it is evident that his portrayals had an outstanding impact throughout history driving forward different aspects sourced from feminism and feminity.It is no doubt that Goya has become an essential representative for the representation of both powerful and everyday wome who provided valuable inspiration during their age but also brought out advancements that still resonate today regarding equality and diversity.

The Legacy Of Francisco Goya In The Art World

Francisco Goya is an acclaimed figure in Western art, known for his unique style that bridges the Old Master period and modern art. His focus on subjectivity, imagination, and emotion embodies the Romanticism movement that he was associated with. While he was appointed as the first court painter in 1799, he received few royal commissions thereafter.

Goya’s influence on Western art has been significant, extending to most of modern art movements including French Impressionism and Pablo Picasso. He portrayed life experiences and human emotions with a rawness and intensity that would go beyond his time into inspiring future artists’ works. Films and even opera have reenacted his life’s story.

Of particular note is Goya’s cycle of drawings “The Disasters of War,” where he captures war’s horrors. The collection is a powerful work of originality much commended to this day. Furthermore, Goya purchased La Quinta del Sordo (the House of the Deaf), where he created what came to be known as the “Black Paintings.” A series reflecting darker aspects of human nature like insanity, despair, or social criticism exist within it.

Francisco Goya remains one of history’s most influential figures within Modern Art circles today; notably celebrated as one of the forefathers to contemporary artistic movements like Surrealism or Expressionism due to his strikingly unique views towards human nature conveyed vividly through his paintings and sketches.

Goya’s Techniques And Innovations In Painting

Francisco Goya was a Spanish artist who is renowned for his masterful use of etching and aquatint in both painting and printmaking. He became famous for his first series known as Los Caprichos, which consisted of 80 plates marked a turning point in printmaking history. Goya’s work gained attention from the aristocracy, leading him to receive commissions to create etchings based on paintings by Velázquez.

Goya’s innovative use of aquatint allowed him to produce tonal shading on copper plates, creating watercolor-like effects that were previously unheard of in printmaking. His art reflected contemporary historical upheavals and influenced prominent painters of the 19th and 20th century.

One of his most famous works is The Third of May 1808 painting, which shows the horrors during the Peninsular War caused by Napoleon’s forces. This painting showcases Goya’s bold brushwork techniques with oil paints that create a powerful emotional effect.

Goya painted what he saw truthfully, highlighting realities such as war horrors and politician incompetence realistically. In conclusion, Francisco Goya has made significant contributions to a variety of artistic mediums with his innovations such as using aquatint techniques while shining light on societal problems making him one of the most celebrated painters in history.

The Evolution Of Goya’s Style Throughout His Career

Francisco Goya is known for his mastery of late Baroque and Rococo styles during the early stages of his career; however, he never fully embraced the influence of Neo-Classicism. In fact, Goya was considered an artist ahead of his time and was the last of the Old Masters. He created an autonomous world in his etchings and was among the first to exploit the full potential of this process.

As Goya’s career progressed, his style began to evolve. His work maintained elements of Baroque and Rococo art while introducing innovative techniques that would pave the way for modernism. In particular, his etchings showcased a unique blend of decadence and innovation with tropes from earlier periods.

Goya’s work became darker as he aged, possibly due to his declining health or reflecting a more pessimistic view on society. This shift is most evident in his series “The Disasters” which illustrates episodes from Spain’s Peninsular War. He also became increasingly experimental with color, leading some critics to believe that he suffered from color blindness.

In summary, Francisco Goya’s style evolved greatly throughout his career as he experimented with new techniques and themes in both painting and etching. While retaining some influence from earlier periods such as Baroque and Rococo art, he remained constantly innovative until the end of his life.

All Francisco Goya Artwork on Artchive

Artwork Name Year Medium
Duchess Countess of Benavente 1785 oil,canvas
The Divided Arena 1825 etching,paper
Countess Of Chinchón 1800 Oil On Canvas
Consequences of War
Correction 1799 etching,paper
Count Fernand Nunez VII 1803 oil,canvas
Couple with Parasol on the Paseo 1796 - 1797 wash,ink,paper
Dance of the Majos at the Banks of Manzanares 1777 oil,canvas
Dead Birds 1808 - 1812 oil,canvas
Dead turkey 1808 - 1812 oil,canvas
Diligent Blind Man
Dismemberment of the corpse of Jesuit Brefeb 1805 oil,canvas
Disordered 1819 etching,paper
One to anothers 1799 drypoint,etching,paper
Other laws by the people or beast Absurdity 1816 - 1823 etching,paper
Out hunting for teeth 1799 etching,paper
Peasant Carrying a Woman c.1812 - c.1823 wash,paper
Pedro Romero 1795
Pepito Costa and Bonells 1813 oil,canvas
Phantom Dancing with Castanets c.1824 - c.1828 chalk,paper
Picador Caught by the Bull 1793 oil,tin
Picnic on the Banks of the Manzanares 1776 oil,canvas
Pilgrimage to the Church of San Isidro 1788 oil,canvas
The Chinchillas 1799 etching,paper
The Count of Floridablanca 1783 oil,canvas
The Count of Tajo 1800
The Crockery Vendor 1779 oil,canvas
The Devout Profession 1799 etching,paper
The Duchess of Alba and Her Duenna 1795 oil,canvas
The Duchess of Alba Arranging her Hair 1796 ink,paper
The Duke of Osuna and his Family 1788 oil,canvas
The Duke of Wellington c.1812
What a golden beak! 1799 etching,paper
What a sacrifice! 1799 aquatint,etching,paper
What a Tailor can do! 1799 etching,paper
What more can one do? 1812 - 1815 aquatint,etching,paper
Disparate furioso 1816 - 1823 etching,paper
Dona Isabel de Porcel 1806 oil,canvas
Dona María Tomasa Palafox, The Marquesa de Villafranca Painting her Husband 1804 oil,canvas
Dona Narcisa Baranana de Goicoechea c.1810 oil,canvas
Don Andres del Peral 1798 oil,panel
Dona Tadea Arias de Enriquez 1793 oil,canvas
Dona Teresa Sureda c.1805 oil,canvas
Don Juan Antonio Cuervo 1819 oil,canvas
Don Pedro, Duke of Osuna c.1790
Don Ramon Satue 1823 oil,canvas
Plague Hospital 1798 - 1800 oil,canvas
Playing at Giants 1791 - 1792 oil,canvas
Poet Moratín 1824 oil,canvas
Poor little girls! 1799 etching,paper
Portait of Maria Teresa de Borbón y Vallabriga 1783 oil,canvas
Portrait of Charles IV of Spain 1789 oil,canvas
Portrait of Don Francisco de Borja Tellez Giron c.1816 oil,canvas
Portrait of Don José Queralto c.1802 oil,canvas
Portrait of Ferdinand Guillemardet 1798 oil,canvas
Portrait of Ferdinand VII 1814 oil,canvas
The Duke of Wellington 1812 - 1814 oil,canvas
The Esquilache Riots c.1766 - c.1767
The Fair at Madrid 1779 oil,canvas
The Fall or The Accident 1787 oil,canvas
The Family of the Infante Don Luis 1784 oil,canvas
The Famous American, Mariano Ceballos 1825
The Fight at the Venta Nueva 1777 oil,canvas
The Game of Pelota
The Greasy Pole 1786 - 1787 oil,canvas
Witches' Sabbath / The Great He-Goat 1821 - 1823 oil,canvas,plaster
Who is more overcome? 1799 aquatint,etching,paper
Why hide them? 1799 drypoint,etching,paper
Wife of Juan Agustín Ceán Bermúdez c.1785 oil,canvas
Will she rise again? 1810 - 1814 etching,paper
Will the student be wiser? 1799 aquatint,etching,paper
Witches in the Air 1797 - 1798 oil,canvas
Witches Ready to Fly 1796 - 1797 etching,paper
Witches' Sabbath
Witches Sabbath 1789 oil,canvas
Woman battered with a cane c.1796 - c.1797 wash,ink,paper
Don't scream, silly 1799 etching,paper
What value? 1812 - 1814 aquatint,etching,paper
Ferdinand VII c.1814 oil,canvas
Fernando VII 1814 oil,canvas
Fight with a young bull c.1780 oil,canvas
Fine advice 1799 etching,paper
Fire at Night 1793 - 1794 oil,tin
Foolishness of the Fools 1816 - 1823 etching,paper
Four Yard Long Snake in Bordeaux c.1824 - c.1828 paper
Francisca Sabasa y Garcia 1804 - 1808 oil,canvas
Francisco Bayeu 1795 oil,canvas
Francisco de Cabarrus 1788 oil,canvas
Portrait of the Bullfighter Pedro Romero
Portrait of the Countess of Carpio, Marquesa de la Solana 1793 oil,canvas
Portrait of the Joaquina, nee Tellez Giron y Alfonso Pimental, 10th Marquesa de Santa Cruz as the Muse, Euterpe 1805 oil,canvas
Portrait of Victor Guye 1810
Portrait thought to be Josepha Bayeu (or Leocadia Weiss) c.1798 - c.1814 oil,canvas
Powder Factory in the Sierra c.1814 oil
Pretty teacher 1799 drypoint,etching,paper
Prison Scene c.1808 - c.1812
Procession of Flagellants 1793 oil,panel
Procession of Monks
The Maja and the Masked Men 1777 oil,canvas
The Marquesa de Pontejos c.1786
The Meadow of San Isidro on his Feast Day 1788 oil,canvas
The military and senora 1778 - 1779
The Milkmaid of Bordeaux 1825 - 1827 oil,canvas
The Miracle of St. Anthony 1798 fresco
The monk c.1820 - c.1824 engraving,paper
The Morisco Gazul is the First to Fight Bulls with a Lance 1815 - 1816 aquatint,etching,paper
The Old Woman with a Mirror 1828
The Parasol 1777 oil,canvas
Abducting horse 1819 - 1823 drypoint,etching,paper
Absurdity Flying 1819 - 1823 etching,paper
Absurdity funeral 1816 - 1823 etching,paper
Absurdity of Carnival 1816 - 1823 etching,paper
Accuse the Time 1802 - 1812 brush,pen,pencil,paper
A circus queen timely Absurdity 1816 - 1823 etching,paper
Actress Antonia Zarate c.1810 - c.1811 oil,canvas
A Gift for the Master 1799 engraving,paper
Gaspar Melchor de Jovellanos c.1798 oil,canvas
General Jose de Palafox 1814 oil,canvas
Girl Listening to a Guitar 1797 - 1799 wash,ink,paper
Guitar Player
Gumersinda Goicoechea, Goya's Daughter in Law 1815 chalk,paper
Hanibal victorious contemplates Italy from the Alps 1771
He broke the pitcher 1799 aquatint,etching,paper
Here comes the bogey-man 1799 aquatint,etching,paper
Here neither 1812 - 1815 aquatint,etching,paper
Highwaymen Attacking a Coach 1786 - 1787 oil,canvas
Pilgrimage to the Fountain of San Isidro / The Holy Office 1820 - 1823 oil,canvas
Queen Maria Luisa 1789
Queen María Luisa Wearing a Mantilla 1799 oil,canvas
Queen Maria Luisa wearing panniers
Ravages of war 1810 engraving,paper
Ridiculous dream c.1819 aquatint,drypoint,etching,paper
Rise and Fall 1799 etching,paper
Robbery c.1794 oil,canvas
Sad forebodings of what is to come 1810 drypoint,etching,paper
Saint Ambrose 1796 - 1799 oil,canvas
The Picnic 1788 oil,canvas
The Pilgrimage of San Isidro 1820 - 1823 oil,canvas
The Prisoners in Chains 1818 - 1820
The Quail Shoot 1775 oil,canvas
The Rape of Europa 1772 oil,canvas
There is a lot to suck 1799 aquatint,etching,paper
There it goes 1799 aquatint,etching,paper
The Repentant Saint Peter c.1820 - c.1824 oil,canvas
There was no help 1799 aquatint,etching,paper
The Sacrifice to Priapus 1771 oil,canvas
Allegory of Love. Cupid and Psyche
Allegory of the City of Madrid 1810 oil,canvas
Allegory: War or Evil 1824 - 1828 etching,paper
All will fall 1799 etching,paper
And his house is on fire 1799 aquatint,etching,paper
And It Cannot Be Changed 1812 - 1814 aquatint,etching,paper
And they still won't go 1799 aquatint,etching,paper
Antonia Zárate c.1805 oil,canvas
A Prison Scene c.1808 - c.1814 oil,zinc
Are you … Well, as I was telling you. Eh! Be careful or... 1799 etching,paper
Holy Week in Spain in Times Past 1820 - 1824 chalk,paper
How they break her barrel 1799 aquatint,etching,paper
Hush 1799 aquatint,etching,paper
I am Still Learning c.1824 - c.1828 chalk,paper
Incantation c.1797
Infante Don Sebastián Gabriel de Borbón y Braganza 1822 oil,canvas
It is better to be idle 1799 etching,paper
It is Time 1799 drypoint,etching,paper
Jose Costa Y Bonells Pepito
Josefa Bayeu 1805 chalk,paper
Saint Francis Borgia Helping a Dying Impenitent
Saint Gregory 1796 - 1799 oil,canvas
Saint John the Baptist as a Child in the Desert oil
Scene of a bullfight 1824
Scene of Rape and Murder 1808 - 1812
Sebastian Martinez 1792 oil,canvas
Self portrait 1783 oil,canvas
Self portrait 1795 oil,canvas
Self Portrait 1795 brush,paper
Self Portrait 1799 aquatint,drypoint,etching,paper
The Sacrifice to Vesta 1771
The same c.1810 - c.1815 etching,wash,paper
The school scene 1785 oil,canvas
The Second of May, 1808: The Charge of the Mamelukes 1814 oil,canvas
The Seesaw
The Shipwreck 1793 - 1794 oil,canvas
The shy man 1799 aquatint,etching,paper
The sleep of reason produces monsters 1799 aquatint,etching,paper
The Snowstorm (Winter) 1786 - 1787 oil,canvas
The Speed and Daring of Juanito Apiñani in the Ring of Madrid 1815 - 1816 aquatint,etching,paper
A Scene from The Forcibly Bewitched
Asensio Juliá c.1798 oil,canvas
As Far back as his Grandfather 1799 aquatint,paper
Asmodea / Fantastic Vision 1820 - 1823 oil,canvas
Atropos (The Fates) 1820 - 1823 oil,plaster,canvas
Attack on a Coach 1793
Autumn, or The Grape Harvest 1786 - 1787 oil,canvas
A Village Bullfight 1812 - 1814 oil,canvas
A way of flying 1816 - 1823 aquatint,drypoint,etching,paper
A woman and two children by a fountain 1786 oil,canvas
Jose Pio de Molina 1827 - 1828
Juan Antonio Llorente c.1810 - c.1812 oil,canvas
Juan Antonio Melendez Valdes 1797 oil,canvas
Juan Bautista de Muguiro 1827 oil,canvas
Juan Martin Diaz, Determined to c.1814 - c.1815
Judith and Holofernes 1820 - 1823 oil,canvas
King Charles IV in Hunting Costume 1799 oil,canvas
Knife Grinder 1808 - 1812 oil,canvas
Lads getting on with the job 1799 etching,paper
La Pena de Francia 1824 - 1828
Self Portrait 1815 oil,canvas
Self Portrait 1824 ink,paper
Self-portrait c.1790 - c.1795
Self-portrait in the Studio c.1790 - c.1795 oil,canvas
Self portrait with spectacles c.1801 oil,canvas
Sharing the Old Woman c.1810 wash,paper
She is well pulled down 1799 etching,paper
She leaves him penniless 1799 etching,paper
She prays for her 1799 drypoint,etching,paper
The Straw Manikin 1791 - 1792 oil,canvas
The Swing 1779 oil,canvas
The Third of May 1808 (Execution of the Defenders of Madrid) 1814 oil,canvas
The Wedding 1791 - 1792 oil,canvas
The worst is to beg 1812 - 1815 etching,lavis,paper
They already go plucked 1799 etching,paper
The Yard of a Madhouse 1794 oil,tin
They are hot 1797 - 1798 etching,paper
They Carried her Off 1799 etching,paper
Bad night 1799 etching,paper
Bartholomew Sureda y Miserol c.1804 - c.1806 oil,canvas
An Heroic feat! With Dead Men! 1812 - 1814 aquatint,etching,paper
Because she was susceptible 1799 aquatint,paper
Be quick, they are waking up 1799 etching,paper
Birds of a Feather 1799 aquatint,etching,paper
Birth of the Virgin 1772 fresco
Blind Man's Buff 1788 - 1789 oil,canvas
Blind singer c.1820 etching,paper
Blow 1799 aquatint,drypoint,etching,paper
La Tirana 1799 oil,canvas
Little goblins 1799 aquatint,etching,paper
Look how solemn they are 1799 aquatint,drypoint,etching,paper
The bagged 1816 - 1823 etching,paper
Love and Death 1799 etching,paper
Loyalty 1816 - 1823 etching,paper
Lunatic Behind Bars 1824 - 1828 chalk,paper
Maja and Celestina on a Balcony 1808 - 1812 oil,canvas
Majas on a Balcony 1808 oil,canvas
Manuel Godoy, Duke of Alcudia, 'Prince of Peace' 1801 oil,canvas
Should God forgive her She was her mother 1799 aquatint,etching,paper
Sketch for The Death of Saint Joseph c.1787 oil,canvas
Sketch for Truth Rescued by Time, Witnessed by History 1797 - 1800 oil,canvas
Sleep c.1800
Sleep overcomes them 1799 etching,paper
Spanish Entertainment 1825 lithography,paper
Squealers? 1799 aquatint,etching,paper
St. Bernardino of Siena preaching to Alfonso V of Aragon 1782 - 1783
St. Francis Borgia Helping a Dying Impenitent 1795 oil,canvas
St. Gregory the Great 1797 oil,canvas
They have flown 1799 aquatint,etching,paper
They Pare 1799 etching,paper
They say 'yes' and give their hand to the first comer 1799 etching,paper
They Sing for the Composer c.1796 - c.1797 wash,ink,paper
They spin finely 1799 aquatint,drypoint,etching,paper
They spruce themselves up 1799 aquatint,etching,paper
They who Cannot 1799 aquatint,etching,paper
This certainly is reading 1799 aquatint,etching,paper
This is worse 1812 - 1815 drypoint,etching,lavis,paper
Those Specks of Dust 1799 aquatint,etching,paper
Boys Climbing a Tree
Boys playing soldiers 1779 oil,canvas
Boys With Mastiff 1786
Bravissimo 1799 aquatint,etching,paper
Brigand Murdering a Woman 1798 - 1800 oil,canvas
Brigand Stripping a Woman 1798 - 1800 oil,canvas
Brother Juan Fernandez de Rojas 1800 oil,canvas
Bullfight
Can't anyone untie us? 1799 etching,paper
Cardinal Luis Maria de Borbon y Vallabriga c.1800
María Luisa of Parma wearing panniers 1789 oil,canvas
Mariana Waldstein, Ninth Marquesa de Santa Cruz 1797 oil,canvas
Mariano Goya 1827
Marquesa Mariana de Pontejos c.1786 oil,canvas
Martín Zapater 1797 oil,canvas
Maunel Silvela c.1809 - c.1812 oil,canvas
May the rope break 1815 - 1820 aquatint,etching,paper
Mob 1812 - 1814 aquatint,etching,paper
Naked girl looking in the mirror c.1796 - c.1797 wash,ink,paper
Nanny's boy 1799 etching,paper
Stiffened c.1790 etching,paper
Still life of Sheep's Ribs and Head - The Butcher's conter 1810 - 1812 oil,canvas
Still life, plucked turkey and pan with fish 1808 - 1812 oil,canvas
Still Life Three Salmon Steaks 1808 - 1812 oil,canvas
Still life with fruit, bottles, breads 1824 - 1826 oil,canvas
Still Life With Golden Beam 1808 - 1812; Spain oil
Summer, or The Harvest 1786 oil,canvas
Swallow it, dog 1799 drypoint,etching,paper
Tantalus 1799 aquatint,etching,paper
The Adoration of the Name of The Lord 1772 fresco
Three Men Digging 1819 wash,paper
Till death 1799 etching,paper
Time of the Old Women 1820 oil,canvas
Tio Paquete c.1820 oil,canvas
Tobias and the Angel
To the Count Palatine 1799 aquatint,drypoint,etching,paper
Trials 1799 aquatint,etching,paper
Triple generation 1760 - 1769
Truth Has Died 1810 - 1814 etching,paper
Truth Rescued by Time, Witnessed by History 1812 - 1814 oil,canvas
Cardinal Luis Maria de Borbon y Vallabriga 1798 - 1800 oil,canvas
Carlos IV on Horseback
Cartloads to the cemetery 1812 - 1815 aquatint,etching,paper
Cats fighting
Chained Prisoner 1806 - 1812 wash,ink,paper
Charles III 1786 - 1788 oil,canvas
Children inflating a bladder
Christ on the Mount of Olives 1819 oil,panel
Circumcision 1774
Colossus c.1815
Neither more nor less 1799 drypoint,etching,paper
Night Scene from the Inquisition
Nobody knows anybody 1799 etching,paper
No one has seen us 1799 etching,paper
Not For Those 1812 - 1814 aquatint,etching,paper
Nothing. The event will tell 1815 - 1820 aquatint,etching,paper
Now they are sitting well 1799 aquatint,etching,paper
Old Beggar with a Maja 1797 - 1799
Two Old Ones Eating Soup / The Witchy Brew 1819 - 1823 oil,canvas
Old swinging c.1820
The Annunciation c.1785 oil,canvas
The Annunciation 1785 oil,canvas
The Arrest of Christ 1788 oil,canvas
The Arrest of Christ 1798 oil,canvas
The Bewitched Man c.1798; Spain
The Bookseller's Wife c.1805 - c.1808
The Bravery of Martincho in the Ring of Saragassa 1815 - 1816 aquatint,etching,paper
The Burial of Christ 1770 - 1772 oil,canvas
The Burial of the Sardine (Corpus Christi Festival on Ash Wednesday) 1812 - 1814 oil,canvas
The Captivity is as Barbarous as the Crime c.1815 etching,paper
Tubercio Pérez Cuervo 1820 oil,canvas
Twerp 1816 - 1823 etching,paper
Two Dancing Old Friends 1828
Two Old Men / Two Monks / An Old Man and a Monk 1821 - 1823 oil,plaster,canvas
Unfortunate Events in the Front Seats of the Ring of Madrid 1815 - 1816 aquatint,etching,paper
Vagabonds Resting in a Cave 1798 - 1800 oil,canvas
Village Procession 1786 - 1787 oil,canvas
Wait till you have been anointed 1799 drypoint,etching,paper
War scene 1810 - 1812 brush,wash,paper
Water Carrier 1808 - 1812 oil,canvas
Duchess of Alba, The White Duchess 1795 oil,canvas
Duke of Alba 1795 oil,canvas
Duke of San Carlos 1815 oil,canvas
El Lazarillo de Tormes 1819 oil,canvas
Equestrian portrait of Maria Luisa of Parma 1788
Even so he cannot make her out 1799 aquatint,etching,paper
Farewell 1799 aquatint,etching,paper
Feminine Folly c.1819 - c.1824 aquatint,etching,paper
Portrait of Javier Goya, the Artist's Son 1824 chalk,paper
Portrait of José Antonio, Marqués de Caballero 1807 oil,canvas
Portrait of Leandro Fernandez de Moratin 1799 oil,canvas
Portrait of Mariano Goya 1812 - 1814 oil,panel
Portrait of Maria Teresa de Vallabriga on horseback 1783 oil,canvas
Portrait of Maria Teresa of Ballabriga, Countess of Chinchon 1800 oil,canvas
Portrait of Pedro Mocarte, a Singer of the Cathedral of Toledo 1806
Portrait of Senora Berm sezne Kepmesa 1795
Portrait of the Actor Isidro Meiquez 1807
Portrait of the Artist Julio Asensio c.1798
The Hawthorn Seller
The Holy Family c.1780 oil,canvas
The ill matched Couple 1828 oil,tin
The Injured Mason 1786 - 1787 oil,canvas
The Junta of the Philippines 1815 oil,canvas
The Kite 1777 - 1778 oil,canvas
The Last Communion of St. Joseph Calasanz 1819 oil,panel
The lineage 1799 aquatint,etching,paper
The Madhouse 1812 - 1814 oil,canvas
The Madness of Fear 1819 - 1823 etching,paper
Woman Hitting Another Woman with a Shoe c.1812 - c.1823 wash,paper
Woman with a Fan c.1805 oil,canvas
You'll see later c.1816 - c.1820 ink,paper
Young People Laughing 1819 - 1823 oil,canvas
Young Witch Flying with a Rope 1824 - 1828
Young Woman with a Letter 1812 - 1819 oil,canvas
You will not escape 1799 etching,paper
What Will he Die? 1799 etching,paper
When day breaks we will be off 1799 etching,paper
Where is mother going? 1799 aquatint,etching,paper
Who Can Think of It? 1814 - 1823 wash,ink,paper
Who could believe it! 1799 aquatint,etching,paper
The Nude Maja 1800 Oil on Canvas
Yard with Lunatics 1793-94 Oil on tinplate
Dona Teresa Sureda c. 1805 Oil On Canvas
Portrait Of Mariana Waldstein 1797 - 1799 Oil On Canvas
Majas On A Balcony c. 1808-1812 Oil On Canvas
Two Young People Laughing At A Man 1820-1823 Oil On Plaster Remounted On Canvas
Desgracias Acaecidas En El Tendido De La Plaza De Madrid, Y Muerte Del Alcalde De Torrejon 1815-16 Etching With Aquatint
Que Se Rompe La Cuerda! c. 1815 Etching With Aquatint
The Procession c. 1816 Oil On Panel
Little Giants 1791-2 Oil On Canvas
El Si Pronuncian Y La Mano Alargan Al Primero Que Llega 1797-98 Etching With Aquatint
Self-portrait c.1770 - c.1775 Oil on Panel
The Forge c.1812 - c.1816 Oil on Canvas
Fight with Cudgels 1820 - 1823 Oil on Canvas
The Colossus 1808 - 1812 Oil on Canvas
Crucified Christ 1780 Oil on Canvas
Inquisition Scene 1812 - 1819 Oil on Panel
Leocadia 1819 - 1823 Oil on Canvas
Men Reading 1819 - 1823 Oil on Canvas,gesso
The Clothed Maja 1800 Oil on Canvas
The Swing 1796 - 1797 Oil on Canvas
Marquesa de la Solana c. 1794-5 Oil on Canvas
Two Old Women Eating from a Bowl 1821-1823 Oil on plaster remounted on Canvas
Manuel Osorio de Zuniga DETAIL of cats and bird c. 1788 Oil on Canvas
Que se la llevaron! 1797 Etching, aquatint and drypoint
Esto es peor c. 1812-13 Etching with lavis
Prison Interior c. 1810-14 Oil on tinplate
Que sacrificio! 1797-98 Etching with aquatint
Isabel de Porcel 1804-05 Oil on Canvas
Strolling Players 1793 Oil on Canvas
Self-portrait with Dr Arrieta 1820 Oil on Canvas
Countess of Chinchón 1797 - 1800 Oil on Canvas
Bartolome Sureda y Miserol c. 1803-04 Oil on Canvas
The Giant 1818
Blind Guitarist c.1778 Oil on Canvas
Burial of the Sardine c. 1816 Oil on panel
Contra el bien general c.1810 - c.1815 etching,paper
Duchess of Alba 1797 Oil on Canvas
Family of Carlos IV 1800 Oil on Canvas
Manuel Osorio de Zuniga c.1787 Oil on Canvas
Maria Teresa de Borbon y Vallabriga 1783 Oil on Canvas
Saturn 1819 - 1823 Oil on Canvas
Spring (or The Flower Girls) 1786-1787 Oil on Canvas
St Francis Borja at the Deathbed of an Impenitent 1788 Oil on Canvas
The Milkmaid 1825-27 Oil on Canvas
Time c. 1810-12 Oil on Canvas
Tu que no puedes 1797-98 Etching with aquatint
Two Old Men c. 1821-1823 Oil on plaster remounted on Canvas
Duchess of Alba DETAIL of face 1797 Oil on Canvas
Duchess of Alba DETAIL of hand showing rings 1797 Oil on Canvas
Duchess of Alba DETAIL of shoes 1797 Oil on Canvas
The Great He-Goat or Witches Sabbath c. 1821-1823 Oil on plaster remounted on Canvas
The Dog c.1819 oil,plaster,Canvas
The Shootings of May Third 1808 1814 Oil on Canvas
El sueno de la razon produce monstruos 1797-98 Etching with aquatint
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