Artwork

Woman Standing, Holding A Fan - 1878-79 - by Mary Cassatt

Woman Standing, Holding A Fan (1878-79) by Mary Cassatt

Mary Cassatt painted Woman Standing, Holding a Fan in 1878-79. The painting showcases an exercise in pattern and design with the woman’s dress forming the inverted shape of the fan she is holding. Cassatt’s interest in Japonisme, encouraged by Edgar Degas and Camille Pissarro, is evident as Woman Standing, Holding a Fan exhibits themes inspired …

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Lydia Seated At An Embroidery Frame - 1880-81 - by Mary Cassatt

Lydia Seated At An Embroidery Frame (1880-81) by Mary Cassatt

Mary Cassatt’s 1880-81 painting “Lydia Seated At An Embroidery Frame” features the artist’s older sister Lydia seated in profile, fashionably dressed and painted in loose brushstrokes. The piece, an oil on canvas, is part of the Flint Institute of Arts collection in Michigan and was gifted by the Whiting Foundation. Cassatt was an American painter …

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Westminster Bridge, London, With The Lord Mayors Procession On The Thames - 1747 - by Canaletto - giovanni Antonio Canal -

Westminster Bridge, London, With The Lord Mayor’s Procession On The Thames (1747) by Canaletto (giovanni Antonio Canal)

Canaletto’s painting, Westminster Bridge, London with the Lord Mayor’s Procession on the Thames, is an oil-on-canvas masterpiece measuring 95.9 cm in height and 127.6 cm in width. The artwork showcases Canaletto’s expertise in veduta or view-painting to depict a stunning view of Westminster Bridge during the annual Lord Mayor’s Procession in 1747. The painting vividly …

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The Reception Of The French Ambassador In Venice (c. 1740) by Canaletto (Giovanni Antonio Canal)

The painting entitled ‘The Reception of the French Ambassador in Venice’ by Canaletto (Giovanni Antonio Canal) depicts the reception of Jacques Vincent Languet, Count of Gergy, who was the French ambassador to Venice during the 18th century. Canaletto was a skilled Italian painter known for his topographical paintings primarily featuring Venice, Rome, and London. The …

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Fruit Displayed On A Stand - c

Fruit Displayed On A Stand (c. 1881-82) by Gustave Caillebotte

This impressive still life painting titled “Fruit Displayed on a Stand” was created by the French artist Gustave Caillebotte, between 1881 and 1882. The artwork was commissioned by Albert Courtier for his dining room, and it currently belongs to the Impressionist collection at the Museum of Fine Arts in Boston. The masterpiece depicts a close-up …

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Boating Party, Or Oarsman In A Top Hat - 1877-78 - by Gustave Caillebotte

Boating Party, Or Oarsman In A Top Hat (1877-78) by Gustave Caillebotte

Boating Party, also known as “Oarsman in a Top Hat,” is a masterpiece painting by Impressionist artist Gustave Caillebotte. The painting depicts a group of people enjoying boat ride on the Seine river west of Paris. With its bold use of perspective and naturalistic style, the painting captures both the leisurely atmosphere of a summer …

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Man In A Smock, Or Father Magliore On The Road Between Saint-clair And Etretat - 1884 - by Gustave Caillebotte

Man In A Smock, Or Father Magliore On The Road Between Saint-clair And Etretat (1884) by Gustave Caillebotte

Man in a Smock, also known as Father Magliore On The Road Between Saint-clair And Etretat, is a painting created by Gustave Caillebotte in 1884. It features a man in a smock walking on a road between Saint-Clair and Etretat. Caillebotte was an important figure of the French Impressionist movement, born into wealth in Paris …

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View Of Rooftops - snow - 1878 - by Gustave Caillebotte

View Of Rooftops (snow) (1878) by Gustave Caillebotte

French Impressionist Gustave Caillebotte created the painting “View of Rooftops (Snow)” in winter 1878-79. The canvas measures 81x65cm, and it depicts a winter day in Paris with snow-covered roofs and a heavy grey sky. Caillebotte was part of the Impressionist movement that explored the effect of seasons on light and landscape, and he restricted his …

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Perspective Study Of Streets - 1877 - by Gustave Caillebotte

Perspective Study Of Streets (1877) by Gustave Caillebotte

Gustave Caillebotte’s Paris Street; Rainy Day offers a unique perspective on the bustling streets of Paris in the 19th century. Unlike typical Impressionist paintings of the era, Caillebotte employs an expanded perspective and bold use of angles. He experiments with tilted vantage points to create an almost photographic snapshot capturing a frozen moment in time. …

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The Garden At Petit Gennevilliers In Winter - c

The Garden At Petit Gennevilliers In Winter (c. 1894) by Gustave Caillebotte

Gustave Caillebotte, a renowned French artist and avid gardener, drew inspiration from French gardens for his artwork. One of his masterpieces – The Garden at Petit Gennevilliers in Winter – depicts the scene of his own garden in winter. It is interesting to note that Caillebotte’s interest in floral subjects only took root during the …

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A Balcony - 1880 - by Gustave Caillebotte

A Balcony (1880) by Gustave Caillebotte

Gustave Caillebotte’s “A Balcony in Paris” is an oil on canvas painting created around 1880-81. The artwork features a unique depth, created by strong diagonals and blue-grey tones that contrast with splashes of color. Caillebotte experimented with bold perspectives, utilizing expanded viewpoints, sharp angles, and tilted vantage points to create a dramatic effect. The artist …

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Noontide In Late May - 1917 - by Charles Burchfield

Noontide In Late May (1917) by Charles Burchfield

Noontide in Late May is a watercolor painting by American artist Charles E. Burchfield from 1917. During that time, Burchfield painted an exceptional group of imaginative watercolors that reminded him of his childhood fascination with natural forces. Burchfield viewed nature as a source of revelation and wanted to capture and communicate distinct moods through visionary …

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Peinture-nature Morte - c

Peinture/nature Morte (c. 1923-24) by Patrick Henry Bruce

Peinture/Nature Morte is a still-life painting created by Patrick Henry Bruce in his Paris apartment between 1917 and 1930. This geometric abstraction of the horizontal plane features cut fruit, a glass with a straw, block-like shapes, and an architectural column with clean lines, static clarity, and cool tonalities. The thick, tactile surface of the painting …

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Garden Of Earthly Delights - center Panel - c

Garden Of Earthly Delights (center Panel) (c. 1504) by Hieronymous Bosch

The Garden of Earthly Delights is a triptych masterpiece painted by Hieronymous Bosch between 1490 and 1510. Housed in the Museo del Prado in Madrid, it has become one of the most recognizable works of art in history. The center panel, dating back to around 1504, depicts a voyeuristic and dreamlike scene where human figures …

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Dancing - 1978 - by Aaron Bohrod

Dancing (1978) by Aaron Bohrod

Aaron Bohrod was an American artist known for his various artwork styles such as realism, cityscapes and trompe-l’oeil paintings. The latter being a highly decorated, detailed painting style that creates an illusion of reality. However in 1978, he dabbled with a new theme featuring bodies in motion contrasting against the background of seated men adorned …

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Classie Lassie - 1944-5 - by Aaron Bohrod

Classie Lassie (1944 – 1945) by Aaron Bohrod

Aaron Bohrod was an American artist who was celebrated for his range of work in watercolor and gouache, including realist figures in cityscapes, landscapes, and surrealism. He also delved into trompe-l’oeil painting, a style he developed in the 1950s that involved creating highly realistic still-life compositions with intricate detail to create an illusion of real …

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Self-portrait (1908) by Umberto Boccioni

Umberto Boccioni painted the Self-Portrait in his Milan studio in 1908. The painting explores the landscape around the outskirts of Milan, showcasing Boccioni’s love for his city. Unlike his mature Futurism style, Boccioni’s brushwork is relatively softer in tone, displaying a more traditional artistic approach. The painting occupies a special place in Boccioni’s work portfolio …

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Plate 2 - the Argument - From The Marriage Of Heaven And Hell - 1790 - by William Blake

Plate 2 (the Argument) From The Marriage Of Heaven And Hell (1790) by William Blake

Plate 2 (the Argument) from The Marriage of Heaven and Hell, created by William Blake in 1790, is a significant work that showcases the artist’s unique perspective on good and evil. In this piece, Rintrah expresses his dissatisfaction with established theological truths, suggesting that good and evil should not be viewed as definitive concepts. Blake’s …

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Daniel Boone Escorting Settlers Through The Cumberland Gap - 1851-52 - by George Caleb Bingham

Daniel Boone Escorting Settlers Through The Cumberland Gap (1851-52) by George Caleb Bingham

George Caleb Bingham was a prominent figure in early American genre painting. His work often depicted narratives and landscapes that helped to shape popular myths surrounding American national identity during westward expansion. One of his most well-known paintings is “Daniel Boone Escorting Settlers Through The Cumberland Gap,” which addresses the same theme. The painting showcases …

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Study Of A Man Reading - c

Study Of A Man Reading (c. 1844-49) by George Caleb Bingham

Study of a Man Reading by George Caleb Bingham, created between 1844-49, is an exemplary artwork that showcases Bingham’s ability to depict everyday life and social aspects of the era. Bingham was an American artist famous for his paintings that depicted American life in frontier lands near the Missouri River. This particular painting beautifully portrays …

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The Great Trees, Mariposa Grove, California - 1876 - by Albert Bierstadt

The Great Trees, Mariposa Grove, California (1876) by Albert Bierstadt

Albert Bierstadt, a German-American artist, was known for his grand landscapes of the American West. One of his famous works included The Grizzly Giant Sequoia, Mariposa Grove, California, which was featured in exhibitions like the National Academy of Design and the Royal Academy in 1874. The painting showcased a tree with a massive trunk measuring …

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The Neustadter Market In Dresden - 1750 - by Bernardo Bellotto

The Neustadter Market In Dresden (1750) by Bernardo Bellotto

Bernardo Bellotto’s painting, “The Neustadter Market in Dresden,” is a stunning cityscape that captures the lively spirit of the market square in 18th century Dresden. This oil on canvas piece measures 136 x 236 cm and is currently housed at the Gemäldegalerie Alte Meister in Dresden. While a contemporary copy was made, efforts have been …

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The Mill - 1947 - by Max Beckmann

The Mill (1947) by Max Beckmann

German painter Max Beckmann’s masterpiece, The Mill, is an allegorical painting created in 1947. It belongs to the triptych format, inspired by religious paintings but with a modernist twist. The Mill depicts various characters in a bleak and industrialized landscape dominated by a giant mill. Beckmann was associated with Expressionism and New Objectivity movement and …

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Carnival The Artist And His Wife - 1925 - by Max Beckmann

Carnival: The Artist And His Wife (1925) by Max Beckmann

Max Beckmann, a German painter, explored the theme of carnival in several of his works. One of Beckmann’s early creations after his breakdown during World War I was “Carnival”, depicting a woman wearing a cat-like mask and striking an assertive pose. The image portrayed loneliness and isolation as themes that accompany carnival symbolism. In “Carnival …

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Still Life With Candles And Mirror - 1930 - by Max Beckmann

Still Life With Candles And Mirror (1930) by Max Beckmann

Max Beckmann’s Still Life With Candles And Mirror is a masterpiece of the expressionism genre. Painted in 1930, the artwork showcases Beckmann’s excellent command over the art of still life. The central focus of this painting is on candles as traditional symbols representing the fleeting nature of life. Beckmann used interlocking shapes and modern composition …

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Beginning - 1949 - by Max Beckmann

Beginning (1949) by Max Beckmann

Max Beckmann’s triptych painting, “The Beginning,” is considered one of his most autobiographical works. The allegorical piece was created during 1932-1950, with the first draft dating back to October 1946. It reflects Beckmann’s growing anxiety towards the cruelty fostered by the rise of the Nazis and explores themes of war, assault, and tragedy channeling his …

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Outskirts Overlooking The Sea At Marseille - 1937 - by Max Beckmann

Outskirts Overlooking The Sea At Marseille (1937) by Max Beckmann

Max Beckmann, a German painter known for his rejection of Expressionism and association with the New Objectivity movement, created View of the Outskirts of Marseille by the Sea in 1937. The painting features an aerial view of an industrial area, overlooking Marseille’s port. The heavy brushstrokes and use of warm colors create a sense of …

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Portrait Of Stephan Lackner - 1937-39 - by Max Beckmann

Portrait Of Stephan Lackner (1937-39) by Max Beckmann

Max Beckmann painted the portrait of Stephan Lackner between 1937-39. Stephan is depicted in a contemplative mood with varied and expressive hand gestures. The painting was commissioned by Lackner, who himself was a playwright and novelist, to illustrate his play in 1936. Beckmann’s fascination with introspection is reflected in this painting through his portrayal of …

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Cover Design For Smithers Catalogue Of Rare Books - 1896 - by Aubrey Beardsley

Cover Design For Smithers’ Catalogue Of Rare Books (1896 ) by Aubrey Beardsley

Aubrey Vincent Beardsley’s cover design for Leonard Smithers’ Catalogue of Rare Books No. 6 in 1896 features a woman reading a book on a striped sofa, with a pet bird perched nearby. The woman wears a frilled skirt and floral hat as she reads, highlighting the Art Nouveau style popular at the time. Leonard Smithers …

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Le Petit Jardinier - the Little Gardener - c

Le Petit Jardinier (the Little Gardener) (c. 1866-67) by Frederic Bazille

Le Petit Jardinier (the Little Gardener) is a painting by Frederic Bazille, a French Impressionist painter born in Montpellier in 1841. Created around 1866-67, the painting depicts a figure within a landscape painted en plein air. It features a peasant gardener in the foreground holding an empty basket and watering can, while another laborer works …

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Sheep - 1952 - by Milton Avery

Sheep (1952) by Milton Avery

Milton Avery’s Sheep painting is a vivid example of his unique Expressionism style, which showcased abstract forms and distinct use of color to depict American scenes. His work bridged early modernist movements such as Impressionism with mid-century genres like color field painting. Avery’s use of color and drawing style separates him from the conventional painting …

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Madonna and Child Enthroned, with Saints - Raphael - 1504-05

Madonna and Child Enthroned, with Saints (1504-05) by Raphael

Italian High Renaissance artist Raphael’s Madonna and Child Enthroned, with Saints is also known as the Colonna Altarpiece. Completed between 1504-1505, the painting measures 67 7/8 x 67 7/8 inches and was commissioned by the Franciscan convent of Sant’ Antonio in Perugia. It is housed in the Metropolitan Museum of Art in New York City …

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Legendes ni figures (Neither Legends nor Figures) - Tanguy, Yves - 1930

Legendes ni figures (Neither Legends nor Figures) (1930) by Yves Tanguy

Yves Tanguy’s painting ‘Legendes Ni Figures’ (Neither Legends Nor Figures) is an example of how we can find both legends and figures in nature. At first glance, this painting may not appear to have either of these qualities. But some viewers might interpret these images as sea creatures while others might see them as resembling …

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The Absent Lady - Tanguy, Yves - 1942

The Absent Lady (1942) by Yves Tanguy

Yves Tanguy’s 1942 painting ‘The Absent Lady’ is a prime example of his Surrealist style which seamlessly amalgamates the real and imagined elements alike. The oil on canvas painting measures 45 25 inches by 35 inches and can be found at the Kunstsammlung Nordrhein-Westfalen in Dusseldorf, Germany. Tanguy incorporated his fascination with biomorphic forms and …

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Fetish Figure - YOMBE - c

Fetish Figure (c. 1875 – 1900) by Yombe

Yombe people, known for their artistic prowess, create traditional fetish figures called minkisi. These figures often depict a human form with intricate details and have spiritual significance. They can be decorated with nails and fabric alongside glass or mirrors set in their abdomens, which signifies the ability to see beyond visible objects. Among the Yombe’s …

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West Point, Prout's Neck, Maine - Homer, Winslow - 1900

West Point, Prout’s Neck, Maine (1900) by Winslow Homer

Winslow Homer, an acclaimed American artist and painter, created “West Point, Prout’s Neck” in 1900 near his studio in Maine. The painting showcases a picturesque seascape with massive rocks and bursts of colors stretching across the horizon. Notably, the artwork features a splash of water flying into the air just in front of the viewer. …

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Watching the Tempest - Homer, Winslow - 1881

Watching the Tempest (1881) by Winslow Homer

Winslow Homer was a celebrated American painter of the 19th century, known for his dynamic depictions of nature and reflections on humanity’s struggle with the sea. “Watching the Tempest” is a watercolor over graphite drawing from 1881 that exemplifies Homer’s art. The artwork captures a tentative encounter in the post-war South, featuring two African-American men …

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Our English Coasts, 1852 (Strayed Sheep) - Hunt, William Holman - 1852

Our English Coasts, 1852 (Strayed Sheep) (1852) by William Holman Hunt

William Holman Hunt’s 1852 painting, Our English Coasts (Strayed Sheep), captures a peaceful moment at the Lovers’ Seat in Fairlight Glen, Sussex. The canvas showcases the rugged coastline and depicts a group of sheep that seem to have wandered away from their owner. Hunt paid great attention to capturing natural detail, reflected in his portrayal …

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The rake's progress the rake in Bedlam - Hogarth, William - 1735

The rake’s progress the rake in Bedlam (1735) by William Hogarth

Plate 8 of “A Rake’s Progress” by William Hogarth depicts the protagonist Tom Rakewell being admitted to the notorious Bedlam Hospital, suffering from insanity. Bedlam was a popular attraction for the public during the 18th century, a place where individuals with mental illness were kept in inhumane conditions for entertainment. This painting shows the decline …

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John Wilkes, Esq

John Wilkes, Esq. (1763) by William Hogarth

William Hogarth’s etching of John Wilkes Esq., created in 1763, captures the British radicalist politician – who was known to be an agitator – perched against a backdrop of symbols of freedom. This artwork was Hogarth’s response to John Wilkes’s criticisms through his newspaper, “The North Briton”. In this symbolic rendering, Wilkes takes pride in …

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Mr

Mr. Hulings’ Rack Picture (1888) by William Harnett

William Michael Harnett’s “Mr. Hulings’ Rack Picture” is an oil on canvas painting from 1888, measuring 40 x 30 inches. The still-life painting is one of the most notable examples of trompe l’oeil art that depicts a wooden rack holding various items like correspondence and cash. The painting is currently housed at the Hood Museum …

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Christmas Shoppers, Madison Square - Glackens, William - 1912

Christmas Shoppers, Madison Square (1912) by William Glackens

William Glackens’ “Christmas Shoppers, Madison Square” is a masterpiece in the genre painting style of New Realism. This represents a group of middle-class women shopping for clothes in New York City. Glackens drew inspiration from the daily life of the city, and this painting is a prime example of this approach. The piece is a …

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Plate 9 from The Book of Urizen - BLAKE, William - 1794

Plate 9 from The Book of Urizen (1794) by William Blake

Plate 9 from The Book of Urizen by William Blake depicts a figure that appears constrained by the edges of the plate and swirling material surface surrounding him. The image emphasizes enclosure and tension. This plate is part of Blake’s mythological system, which centers around several main ideas, with the Four Zoas being the most …

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Plate 2 (Preludium) from The Book of Urizen - Blake, William - 1794

Plate 2 (Preludium) from The Book of Urizen (1794) by William Blake

Plate 2 (Preludium) from The Book of Urizen, created by William Blake in 1794, is based on one of the plates from the aforementioned book. The book talks about Urizen, who is described as the first priest, and how he became separated from other Eternals to establish his own world, where he imposed religious dogma …

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Plate 25 (Infant Joy) from Songs of Innocence - Blake, William - 1789

Plate 25 (Infant Joy) from Songs of Innocence (1789) by William Blake

Plate 25 from Songs of Innocence by William Blake is a poem titled “Infant Joy”. The poem depicts the celebration of a new life and emphasizes the joy, wonder, and innocence associated with childbirth. The newborn baby, who names itself “Joy”, receives a blessing from its mother, highlighting the blessings of new life. “Infant Joy” …

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The Body of Abel Found by Adam and Eve - Blake, William - c

The Body of Abel Found by Adam and Eve (c. 1825) by William Blake

“The Body of Abel Found by Adam and Eve” is a work by William Blake, completed circa 1825. This artwork employs the medium of watercolor on wood and is an exemplar of the Symbolism art movement. The dimensions of the piece measure approximately 43.3 by 32.5 centimeters. Its genre is classified under religious painting, a …

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The Great Red Dragon and the Woman Clothed in Sun - Blake, William - c

The Great Red Dragon and the Woman Clothed in Sun (c. 1806-1809) by William Blake

William Blake’s “The Great Red Dragon and the Woman Clothed in Sun” is a painting that depicts an intense battle between good and evil. The artwork was created as part of a series of works commissioned by Thomas Butts between 1806-1809. It showcases a woman standing on the sun and moon with a crown of …

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Pelvis Series - Red with Yellow - O'Keeffe, Georgia - 1945 - 2

Pelvis Series – Red with Yellow (1945) by Georgia O’Keeffe

The artwork entitled “Pelvis Series – Red with Yellow” was masterfully rendered by the artist Georgia O’Keeffe in the year 1945. Crafted using oil on canvas, it measures 36 by 48 inches and is categorized within the figurative genre, despite its abstract qualities. This piece is one of O’Keeffe’s “Pelvis” series, and reflects the artist’s …

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Oriental Poppies - O'Keeffe, Georgia - 1927 - 2

Oriental Poppies (1927) by Georgia O’Keeffe

Georgia O’Keeffe’s “Oriental Poppies,” painted in 1928, is an exemplary work of the Precisionism art movement. This oil on canvas artwork measures 30 x 40 1/8 inches and falls under the genre of flower painting. It is housed in the University of Minnesota Art Museum located in Minneapolis. The artwork captivates with its magnified portrayal …

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Still Life with Eggs, Bowl and Vase - Bailey, William - 1971

Still Life with Eggs, Bowl and Vase (1971) by William Bailey

William Bailey was an American painter renowned for his still lifes. One of his notable collotypes, Still Life With Eggs, Bowl And Vase, was part of a limited edition set released in 1976. Bailey’s artistic style is recognized for its freedom from the constraints of descriptive realism, and its evocative balance of form and color, …

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Standing Figure with Blue Plane - Baumeister, Willi - 1933

Standing Figure with Blue Plane (1933) by Willi Baumeister

Willi Baumeister, a German artist, created a painting titled “Standing Figure with Blue Plane” in 1933. It is an oil painting on canvas and is now located at the Museum Ludwig in Cologne, Germany. Baumeister produced groups of works, including “Ideogramme” and “Kammzuglandschaften,” and continued to develop his artistic approach to composition despite political persecution …

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Fragment 2 for Composition VII - Kandinsky, Wassily - 1913

Fragment 2 for Composition VII (1913) by Wassily Kandinsky

Fragment 2 for Composition Vii by Wassily Kandinsky – 1913 is considered to be the artist’s first non-representational work of art. This painting dates to the late 1890s, in which Kandinsky discovered the philosophy of August Endell, an architect and designer whose theories regarding the values of shape and colour inspired many of his creative …

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Murnau with Church I - Kandinsky, Wassily - 1910 - 2

Murnau with Church I (1910) by Wassily Kandinsky

The artwork “Murnau with Church I” by Wassily Kandinsky was created in 1910 and embodies the expressionist movement to which the artist significantly contributed. This oil on cardboard piece measures 64.7 x 50.2 cm and depicts a cityscape. Currently housed at the Lenbachhaus in Munich, Germany, the artwork was created in Munich, reflecting Kandinsky’s experiences …

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Evocation (The Burial of Casagemas) - PICASSO, Pablo - 1901 - 2

Evocation (The Burial of Casagemas) (1901) by Pablo Picasso

“Evocation (The Burial of Casagemas)” is an evocative oil on canvas painting by the renowned artist Pablo Picasso, created in 1901. With dimensions of 150 x 90.5 cm, the artwork is a significant piece of the Symbolism art movement and can be classified as a symbolic painting. It currently resides at the Musée d’Art Moderne …

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Fifteen Sunflowers in a Vase - VAN GOGH, Vincent - 1888 - 2

Fifteen Sunflowers in a Vase (1888) by Vincent Van Gogh

The artwork “Fifteen Sunflowers in a Vase” is a renowned piece by the artist Vincent Van Gogh, completed in 1888. This oil on canvas reflects the Post-Impressionism movement and features the genre of flower painting. Measuring 92.1 x 73 cm, it was created in Arles, Bouches-du-Rhône, France, and is currently housed at the National Gallery …

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Portrait of Pere Tanguy - VAN GOGH, Vincent - 1887-88

Portrait of Pere Tanguy (1887-88) by Vincent Van Gogh

Vincent Van Gogh painted three portraits of his friend and art supplies shop owner, Père Tanguy, while he lived in Montmartre. The paintings showcase a progression in Van Gogh’s style after his arrival in Paris. The last portrait reveals an evolving style that includes a brighter palette and a serene portrayal of Tanguy, demonstrating the …

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Road with Cypress and Star - VAN GOGH, Vincent - 1890 - 2

Road with Cypress and Star (1890) by Vincent Van Gogh

“Road with Cypress and Star,” a painting by Vincent Van Gogh, created in 1890, is an oil on canvas exemplifying the Post-Impressionism movement. Measuring 92 x 73 cm, this landscape genre artwork resides in the Kröller-Müller Museum in Otterlo, Netherlands. Van Gogh conceived this piece in Saint-rémy-de-provence, France, evoking the emotional and spiritual qualities of …

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Cafe Terrace on the Place du Forum - VAN GOGH, Vincent - 1888 - 2

Cafe Terrace on the Place du Forum (1888) by Vincent Van Gogh

The artwork “Cafe Terrace on the Place du Forum” is a notable creation by the distinguished artist Vincent Van Gogh, completed in the year 1888. It is an oil on canvas piece measuring 81 by 65.5 cm. Characterized by the Post-Impressionist movement, this cityscape genre painting was brought into being in Arles, Bouches-du-Rhône, France. Presently, …

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La Berceuse (Augustine Roulin) - VAN GOGH, Vincent - 1889 - 2

La Berceuse (Augustine Roulin) (1889) by Vincent Van Gogh

The artwork entitled “La Berceuse (Augustine Roulin)” is a masterpiece created by the renowned Post-Impressionist artist Vincent Van Gogh in the year 1889. This oil on canvas painting epitomizes the height of Van Gogh’s artistic development during his time in Arles, Bouches-du-Rhône, France. It measures 92.7 x 72.8 cm and is classified within the genre …

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La chambre de Van Gogh a Arles (Van Gogh's Room at Arles) - VAN GOGH, Vincent - 1889 - 2

La chambre de Van Gogh a Arles (Van Gogh’s Room at Arles) (1889) by Vincent Van Gogh

“La chambre de Van Gogh à Arles” is a celebrated artwork by the renowned artist Vincent Van Gogh, completed in 1889. This oil on canvas embodies the essence of the Post-Impressionism movement through its vivid colors and distinctive brushwork. Measuring 73 x 92 cm, it falls within the interior genre and provides a glimpse into …

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Roots and Tree Trunks - VAN GOGH, Vincent - 1890 - 2

Roots and Tree Trunks (1890) by Vincent Van Gogh

The artwork “Roots and Tree Trunks”, completed in 1890 by the renowned artist Vincent Van Gogh, is an oil on canvas landscape that epitomizes the Post-Impressionist movement. The dimensions of the artwork measure 50 by 100 cm. It currently resides in the Van Gogh Museum in Amsterdam, Netherlands, following its creation in France. This piece …

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Self-Portrait with Felt Hat - VAN GOGH, Vincent - 1887-88 - 2

Self-Portrait with Felt Hat (1887-88) by Vincent Van Gogh

The artwork “Self-Portrait with Felt Hat” is a notable creation by the esteemed artist Vincent Van Gogh, dated circa 1887. This oil on canvas masterpiece is a quintessential example of the Post-Impressionism movement. Measuring 44 x 37.5 cm, the self-portrait can be appreciated at the Van Gogh Museum in Amsterdam, Netherlands. The artwork was brought …

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Seated Man (Self-portrait) - PICASSO, Pablo - 1965 - 2

Seated Man (Self-portrait) (1965) by Pablo Picasso

The artwork “Seated Man (Self-portrait)” is a work by Pablo Picasso that was completed in 1965. It is an oil on canvas painting, measuring 99.5 by 80.5 cm. The piece exemplifies the Naïve Art movement, particularly categorized under Primitivism, and serves as a self-portrait of the artist. This artwork is currently housed at the Galerie …

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The Postman Joseph Roulin - VAN GOGH, Vincent - 1888

The Postman Joseph Roulin (1888) by Vincent Van Gogh

Vincent van Gogh’s friendship with Joseph Roulin, the postmaster in Arles, played a significant role in the artist’s life during his stay in Southern France. Roulin became one of Van Gogh’s closest friends and favorite sitters. At least six portraits of Roulin were painted during this time period, showcasing Van Gogh’s love for capturing the …

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