The artwork titled “And the Symbol of Welcome is Light” is a captivating creation by the famed American artist Norman Rockwell, completed in 1920. This oil on canvas piece falls within the Regionalism movement, showcasing Rockwell’s quintessential genre painting style. Initially, it was under private ownership, and details regarding its current location suggest that it remains in a private collection.
In the artwork, one observes a nighttime scene illuminated by a series of glowing lanterns that adorn what appears to be an outdoor gathering space. The lanterns, casting warm light amidst the darkness, seem to hang from a large tree, setting a welcoming and festive atmosphere. The eye is drawn toward the golden yellow windows of a house, where silhouettes of individuals can be seen, suggesting an intimate, social event.
In the foreground, a vehicle with its occupants provides a focal point, suggesting the arrival or departure of guests. A male figure is distinctly visible, donned in an early twentieth-century attire, including a hat, indicative of the era Rockwell is portraying. A subtle contrast is present between the technological symbol of the automobile and the natural, ancient presence of the tree, enveloped by the embracing darkness of night and the isolated patches of light. The central theme of the piece resonates with the title, where light becomes a metaphor for hospitality and warmth, inviting viewers to ponder narratives of homecoming and community.
