Joseph Beuys was a German avant-garde sculptor and performance artist. He was associated with the international Conceptual art and Fluxus movements, which focused on challenging traditional notions of art. Beuys’ work reflected concepts of humanism, sociology, and anthroposophy. His artwork was evocative of his exploration of the human experience, physical and emotional.
Beuys viewed art as a vehicle for revolutionary social transformation; this is demonstrated in his idea of social sculpture, which aims to create works that involve people in their production, making them active participants rather than passive observers. Throughout his career, Beuys pushed boundaries with provocative artworks that often incorporated everyday materials like felt and animal fat.
As well as being an artist, Beuys was a social sculptor, educator, mystic and radio operator. In fact he saw himself more as an educator than an artist. His extensive work culminated in his “extended definition of art,” which included the idea of social sculpture – an expanded concept where society itself could become a work of art.
Joseph Beuys remains one of the most influential artists from the post-war era. Though he passed away in 1986 aged 64 years old , his contributions are still celebrated today by those who continue to push new ground within Conceptual Art practices globally.
All Joseph Beuys Artwork on Artchive
Artwork Name | Year | Medium |
---|---|---|
The silence of Marcel Duchamp is overrated | 1964; Germany | fat,felt,wood |
Witches Spitting Fire | 1959 | oil,pencil,paper |
Wooden Virgin | 1958 | oil,paper |
2 Sheep's Heads | 1961 - 1975 | oil,paper |
Action, Agit-Pop, De-Coll/age, Happenings, Events, L'Autrisme, Art Total, Re-Fluxus | 1964 | paper |
Actresses | 1958 | pencil,watercolor,paper |
Brightly-Lit Stag Chair | 1957 - 1971 | collage,pencil,paper |
How to Explain Pictures to a Dead Hare | 1965; Germany | assemblage,gold leaf |
Hearts of the Revolutionaries: Passage of the Planets of the Future | 1955 | watercolor,cardboard |
Flower Nymph | 1956 | watercolor,paper |
Fettecke | 1982; Germany | fat |
Felt suit | 1970 | ready-made,wood,felt |
Fat chair | 1964; Germany | objet trouve,wax,fat,wire,wooden chair |
Capri Battery | 1985 | objet trouve,lemon,light bulb,plug socket |
Bug der Argo | 1951 - 1952 | |
Bathtub | 1960 - 1977; Munich, Germany | enamel,fat,copper,paint,objet trouve |
Sibylla (Justice) | 1957 | objet trouve,bronze |
The Pack | 1969 | assemblage |
Sled | 1969 | objet trouve,fabric straps,fat,felt,flashlight,string,wooden sled |
Terremoto | 1981 | objet trouve,board,printed brochure,recorder with cassette |
Natural History | 1964 - 1982 | mixed technique,board |
Infiltration for Piano | 1966 | objet trouve,felt,leather,piano |
I Like America and America Likes Me | 1974; United States | |
King's Daughter Sees Iceland | 1960 | collage,gouache,pencil,felt,paper |
Halved Felt Cross with Dust Image Magda | 1960 - 1965 | collage,metal,dust,felt,nails,paper,wire |